New media can’t get here soon enough

Proto-blogger Dave Winer thinks the real problem revealed by Scott McClellan’s new tell-all book is that the press was complicit in beating the Iraq war drum:

“But corporate-owned media isn’t interested in helping us make decisions as a country, they’re only interested in ad revenue. That’s why it’s so important that we’re creating new media that isn’t so conflicted, and why the question of whether bloggers run ads or not is far from a trivial issue.”

When it comes to national media, there really are not that many outlets that need to be manipulated. Four TV networks; maybe that many cable news channels; a handful of newspapers with national reach. If you can juke them, you’ve got a lot of the country juked.

The sooner their influence is diminished, the better. There will no longer be even the illusion of “national media” and people will have to work (a little) at being informed. Sure, the willfully clueless will still head for blogs and news sites that confirm their view. But the rest of us will stop trusting (if we haven’t already) news organizations that are child’s play for political spin-miesters.

Mike Spooner: Creator of Worlds

Michael_spoonerRemember that kid that sat behind you grade school that was always drawing? Ever wonder what happened to him? Well, if he (or she) was as talented as Michael Spooner, he did okay.

Michael (we knew him as Mike back then) and I were classmates 45 years ago in Kennett, MO. Michael and I ran in different crowds but Kennett was a small place and everybody knew everybody.

In a previous post I mentioned that Michael stumbled across smays.com a few days ago and pinged me. He included some old snapshots and his resume, to let me know what he’s been up to.

He got into animation as a  Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. He spent some years at Disney where he worked on –just to name a few– Goof Troop, The Little Mermaid, Aladdin, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. He also assisted on early development design of Dreamworks’ Shrek. And he Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. If you have kids or an appreciation for animation, check out his bio. He was also kind enough to share a dozen or so examples of his work.

Treasure475

I called Michael up this morning and asked him to share some of his adventures and we wound up talking for an hour. I’ve cut the interview into three segments about about 20 minutes each.

AUDIO: Interview Part 1

AUDIO: Interview Part 2

AUDIO: Interview Part 3

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts and lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

J. Michael Spooner – Visual Development Design Consultant

Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks.

Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction. He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.

Michael ventured into animation as a Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. Shortly after he worked with Filmation Studios on He-Man, Bravestar and Fat Albert and on the Bagdasarian feature, The Chipmunk Adventure.

Joining the Walt Disney Television Animation team in 1988 as a Visual Development Artist and Production Designer, Michael set the style for such episodic shows as, Chip ‘n’ Dale’s Rescue Rangers, Talespin, Goof Troop, The Little Mermaid, New Bonkers and Aladdin. He also worked on the direct-to-video production of Aladdin and the King of Thieves.

In 1994, Michael and his family moved to Paris, France, where he headed up the Production Layout team for Disney’s feature film, A Goofy Movie.

Returning to Los Angeles in 1995, Michael Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. Following that he worked independently as a Visual Development Designer Consultant on Disney’s Dinosaurs, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. Michael also assisted on early development design of Dreamworks,’ Shrek.

Michael moved to the Chicago area in 1999 to become Vice President of Visual Development and Artist Education with Big Idea Productions, home of the popular 3D animated video series, Veggie Tales. There he developed and headed up the Visual Development process in Story, Concept Design, Modeling and Layout. He also served as Art Director on various productions and as an Art Direction Consultant on Big Idea’s first feature animated film, Jonah.

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts for clients such as Big Idea, Inc., Star Farm Productions, ReelFX Creative Studios and Walt Disney Animation Studios.

He lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

You may reach him at: spoonerville1@sbcglobal.net or 630 301-0895

Blogger’s High

E-Media Tidbits points us to an article in the May 2008 Scientific American, by Jennifer Wapner (Blogging: It’s Good for You):

“Blogging may make us feel better because it acts as a substitute or placebo for real satisfaction. Or, according to one neuroscientist cited by Wapner, our limbic (primitive) brain may have an innate need to communicate — akin to our drives for food or sex. Thus, as we blog, our bodies may release the feel-good neurotransmitter dopamine.”

I feel better already.

The Digital Cottage Industry

Agwired

I’ve posted frequently about my friend Chuck, who –with his wife Cindy and a SWAT team of free-lance bloggers– have built a thriving business providing blogging, podcasting and related services to a growing list of clients.

"Cindy and I have been going over calendars and we just realized that we have 23 events scheduled to blog in the next 3 months. Yeeow. Just the hotel reservations, credentialing, registering, airline reservations, etc. are a task. We’ve also got 5 website projects underway just to add to the fun."

Can you make money blogging? For most, the answer is "not likely." For the few, the proud, the Marines… yes. Booyah!