Category Archives: Art/Style

The Armatron

Posted on by

While RadioShack is famous for its eclectic tech history, the Armatron stands out as one of the most mechanically impressive toys of the early 1980s.

Origin and Manufacturing

The Armatron was originally manufactured by the Japanese company Tomy (where it was known as the Edge) and was licensed to RadioShack for the North American market in 1982. It became a staple of the “Tandy” catalog throughout the decade.

Mechanical Ingenuity

What makes the Armatron a significant piece of toy history is its strictly mechanical design.

  • Single-Motor Operation: Despite having six degrees of freedom—including rotation at the base, shoulder, elbow, and wrist, plus a functioning gripper—the entire unit is powered by a single DC motor.
  • The Transmission: The complexity lies in its gearbox. The dual joysticks engage different sets of gears and shafts to distribute power from that single motor to the various joints.
  • No Microprocessors: Unlike modern robotics, there are no computers or sensors inside. It is a masterclass in analog gear-driven engineering.

Features and Variations

  •  The Timer: The “Energy Level” scale on the front (1 through 10) acts as a countdown timer. Once the timer runs out, the motor stops, challenging the user to complete “missions” within a set timeframe.
  • Accessories: Original boxed sets usually included “nuclear fuel” canisters (small plastic cylinders), a module to move, and a tray to test the user’s dexterity.
  • Mobile Armatron: A later version was released that featured a remote control and treads, allowing the arm to drive around the room.

Legacy

The Armatron was more than a toy; it was often used in educational settings to demonstrate the basics of robotics and mechanical linkage. Its rugged build and distinct “industrial” color palette of grey and orange have made it a highly sought-after item for vintage tech collectors today.

A We-free December by Hollis Robbins

Posted on by

I found this essay by way of Tyler Cowen’s blog. It reminded me of the expression, “Is there a mouse in your pocket?” Unless you are the king or queen of a country (or have a mouse in your pocket), “I” is a better pronoun than “we.”

I propose a moratorium on the generalized first-person plural for all blog posts, social media posts, opinion writing, headline writers, for all of December. No “we, “us,” or “our,” unless the “we” is made explicit.

No more “we’re living in a golden age,” “we need to talk about,” “we can’t stop talking about,” “we need to wise up.” They’re endless. “We’ve never seen numbers like this.” “We are not likely to forget.” “We need not mourn for the past.” “What exactly are we trying to fix?” “How are we raising our children?” “I hate that these are our choices.”

Why am I calling a halt? First, to see if it is possible. Second, because of the excellent new Apple TV show Pluribus, about a virus that turns almost everyone on Earth into one collective “we.” The hero is one of eleven individuals who seem to be immune. The show is all about I versus we.

The Pluribus reference is on the money. The “we” shit is one of the scariest parts of the series.

Willoughby: Black Pioneer Came to Kennett as a Slave

Posted on by

Willoughby: Black Pioneer Came to Kennett as a Slave
By DANA GREEN, Democrat Youth Co-Editor

Nelse Willoughby was the first black resident of Kennett, according to local tradition and family records.

Willoughby was born a slave in 1847, but the exact location of his birth is unknown. He and four other children born under the surname Owen were sold away from their mother at an early age. Willoughby was taken to Shelby County, Tenn., where his master gave him the surname of Willoughby.

Willoughby was brought to Kennett at approximately the age of nine by the grandfather Bill Ballard Bragg. He lived and worked on his master’s farm near Kennett. Continue reading →