In chapter 8 of The Inevitable, Kevin Kelly talks about Remixing. “Unbundling existing products into their most primitive parts and then recombining in all possible ways.” He spends a good bit of time talking about video and the amazing new ways we will find to create and use it.
I will have my AI (we’ll all have one, or more than one) pull all of the available video of Ian Emmerson. He lives in the UK somewhere. Don’t know where. Or what he does for a living. But there’s a bazillion cameras in the UK so there will be no shortage of video.
My AI will edit each day’s video into a montage (of sorts). Ian waiting for one of those big red double-decker buses; Ian trudging into the building where he works; Ian in his cubicle; Ian getting fish and chips from a curb-side truck; Ian (alone) in the pub, having a pint before going back to his ‘flat.’ Pretty much the same stuff every day with an interesting character tossed in from time to time. Or, perhaps, just a character.
Each ‘episode’ will end with one of Ian’s songs, like the one below. I’ll let the AI pick the tune, based on that day’s ‘footage.’ I’ll probably let the AI pick a name for the series but I kind of like, “How was your day, Ian?”



Our radio station didn’t have a national news network (until 1974) so we relied on the Associated Press newswire for just about everything throughout the day. During a live “board shift” we would dash to the AP teletype (in the transmitter room) and “rip the wire” which involved tearing a long strip of printed wire copy into piles of news, weather, sports, entertainment news, etc. If the paper jammed or the ribbon broke, we missed whatever was fed. If something the AP considered urgent was fed, an alarm bell on the teletype sounded.

