Leigh Mullen stuck to bathroom wall

This might be the most painful five minutes of video ever recorded. It features an old friend, Leigh Mullen. I grew up with her husband Larry and shared some of my best times with one or both of them. As so often happens, we lost touch over the years. This photo is from their wedding.

Leigh has resurfaced in this YouTube video (shot by her son Will) of her trying to free her (middle) finger, which somehow got super glued to a vent behind her bathroom toilet. This is a powerful testament to patience, good humor and long-suffering mothers everywhere.

Mike Spooner: Creator of Worlds

Michael_spoonerRemember that kid that sat behind you grade school that was always drawing? Ever wonder what happened to him? Well, if he (or she) was as talented as Michael Spooner, he did okay.

Michael (we knew him as Mike back then) and I were classmates 45 years ago in Kennett, MO. Michael and I ran in different crowds but Kennett was a small place and everybody knew everybody.

In a previous post I mentioned that Michael stumbled across smays.com a few days ago and pinged me. He included some old snapshots and his resume, to let me know what he’s been up to.

He got into animation as a  Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. He spent some years at Disney where he worked on –just to name a few– Goof Troop, The Little Mermaid, Aladdin, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. He also assisted on early development design of Dreamworks’ Shrek. And he Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. If you have kids or an appreciation for animation, check out his bio. He was also kind enough to share a dozen or so examples of his work.

Treasure475

I called Michael up this morning and asked him to share some of his adventures and we wound up talking for an hour. I’ve cut the interview into three segments about about 20 minutes each.

AUDIO: Interview Part 1

AUDIO: Interview Part 2

AUDIO: Interview Part 3

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts and lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

J. Michael Spooner – Visual Development Design Consultant

Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks.

Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction. He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.

Michael ventured into animation as a Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. Shortly after he worked with Filmation Studios on He-Man, Bravestar and Fat Albert and on the Bagdasarian feature, The Chipmunk Adventure.

Joining the Walt Disney Television Animation team in 1988 as a Visual Development Artist and Production Designer, Michael set the style for such episodic shows as, Chip ‘n’ Dale’s Rescue Rangers, Talespin, Goof Troop, The Little Mermaid, New Bonkers and Aladdin. He also worked on the direct-to-video production of Aladdin and the King of Thieves.

In 1994, Michael and his family moved to Paris, France, where he headed up the Production Layout team for Disney’s feature film, A Goofy Movie.

Returning to Los Angeles in 1995, Michael Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. Following that he worked independently as a Visual Development Designer Consultant on Disney’s Dinosaurs, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. Michael also assisted on early development design of Dreamworks,’ Shrek.

Michael moved to the Chicago area in 1999 to become Vice President of Visual Development and Artist Education with Big Idea Productions, home of the popular 3D animated video series, Veggie Tales. There he developed and headed up the Visual Development process in Story, Concept Design, Modeling and Layout. He also served as Art Director on various productions and as an Art Direction Consultant on Big Idea’s first feature animated film, Jonah.

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts for clients such as Big Idea, Inc., Star Farm Productions, ReelFX Creative Studios and Walt Disney Animation Studios.

He lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

You may reach him at: spoonerville1@sbcglobal.net or 630 301-0895

Michael Spooner

A Google search led Mike Spooner (he goes by Michael these day) to this blog. I grew up with Mike, er, Michael, in Kennett, Missouri. He moved to Flint, Michigan, in 1964, did “some” college before getting drafted in 1969. Not a good year to get drafted. Following service he attended art college in Los Angeles and stayed for 28 years. From Michael’s bio:

“Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks. Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction.  He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.”

This sounds like a Brush with Near Greatness to me and I’ve asked Michael for an interview. Stay tuned.

He got lost for a couple of hours in our Flickr photostream and shares some photos from his stash. A couple of his Cub Scout pack; one of the KHS swim team; and one of the KHS junior high track team.

The swim team photo brought back fond memories of Diane West (far left). We dated a few times. She was 16 –and could drive– and I was still 15. She lived at the municipal swimming pool and exuded the intoxicating fragrance of chlorine.

It’s nice to hear from Mike and see a few long, lost photos from my youth.

Bill and Sheryl

Billsheryl200Friend and photog Bill Greenblatt is kind enough to share a few of the photos he took of Sheryl Crow this week at an event in Kennett, MO (her hometown and mine). Bill and Sheryl are pals which helps him get nice a close for the great shots he always provides.

SC fan and smays.com pen pall, Ann, points out how happy and relaxed Ms. Crow appears in these latest photos. Hey, she’s just a former twirler from KHS.

Sheryl Crow back in Kennett for ribbon cutting

Charles and Sheryl CrowThe old Ely & Walker shirt factory, just off the downtown square in Kennett, Missouri, has been converted to nice new apartments and today was the ribbon cutting. On hand for the dedication was Kennett’s favorite daughter, Sheryl Crow. And smays.com’s Kennett Bureau Chief, Charles Jolliff was there as well and shares his photos.

“I missed the money shot, going to the top of the roof and looking down while the ribbon cutting was going on… but, I can only be in one place at one time for the moment.”
[Note to self: send Charles latest draft of Bilocation and You. And You.]

Charles says he didn’t spot anyone that looked like Ms. Crow’s new Friend, so he moved in for this quick shot. Well done, CJ.

Radio with pictures

Fezcast1I gotta face it. I’m a radio guy. I have neither the face nor the concentration for TV. That’s my take-away from this morning’s live webcast from the Coffee Zone. Just too many things to keep track of. Watch the chat stream, monitor the audio (which is several seconds behind what is being said), look at the camera… whew!

As I replayed our half-hour chat I found myself thinking, this would have been much easier (and less painful for all concerned) if we’d just streamed the audio. Pictures added nothing to our little experiment.

We had 9 or 10 people watching, giving us encouragement in the chat room like parents at a grade-school production of 12 Angry Men, whispering our lines from the wings (“Turn up the mic!”).

I think I’m going to look for some sort of live event for the next webcast. Perhaps the 4th of July parade or something. Stay tuned.

Spring flowers

Tulip

Barb’s really too busy with work to spend as much time with her yard as she’d like but she still manages to plant some flowers. This year she planted about 300 tulips but the deer got a bunch of them and the moles probably got their share. But the ones that survived were very fetching in the late afternoon sunlight.

I’m no kind of serious photographer (that’s my man, Henry). But I’m not bashful about taking photos and sharing them with the world. I know some very good amateur photographers that never put their work online because they don’t think it’s good enough. At least that’s the reason they give and I tend to believe them.

I snapped these photos with my little Casio and they came out "good enough." Think of all the beautiful flowers that were never shared because someone thought the photos were not "good enough."

NOBODY beats the Claw Machine!

Clawmachine200Chinese for lunch. As we were leaving, Scott dropped some quarters in The Claw Machine. JUST missed the purple elephant on the first try and got him on the second.

I have NEVER seen anyone beat The Claw Machine. They make the “claw” so feeble it can’t hold any weight. But Scott beat it. As we left, the owner was coming over with a screwdriver to loosen up the old claw.