So Clear Channel is going to sell 400+ radio stations. Will these stations become more local? Mark Ramsey says it depends on who buys the stations and the “models of success” they try to follow:
1. Quality local talent with local connection and high entertainment value
2. Quality syndicated talent with high entertainment value
3. Low cost or no talent – regardless of its source (i.e., nothing matters but the music)
He concludes his post with the question: “Of those, which do you think is the toughest to achieve? And which is the cheapest?”
When I started in radio (1972), a lot of radio stations were still trying for #1. Not all of the local talent was “quality” and I’m not sure how “entertaining” we were. But syndicated programs were still a few years away and most communties weren’t ready to let you get away with juke box-ing the station.
But I think Ramsey sums up the options accurately and we’d see more station owners try #1 if #2 and #3 weren’t such attactive (short-term) options.
When KBOA went on the air (July 19, 1947), one of their first –and most popular– programs was “Ole Camp Meetin’ Time.” It was the creation of Ray Van (Hooser), the station’s first program director. The program featured hymns and gospel music but was far more than a “record show.” And it was immediately and immensly popular.
A couple of days ago, a broadcaster called me for advice on possible speakers/topics for an association meeting next spring. She wanted someone to come talk to them about “new media.” I asked her why?
Sheryl Crow and John Mayer recently toured together and during the next-to-last date, John Mayer come onstage during SC’s set, dressed as a bear. The following night, Ms. Crow interrupted his set, wearing a bikini and waving around a baton (I’m pretty sure she was a twirler in high school). Based on this post from Mr. Mayer’s blog (10/12/06), they had a good time: