ChatGTP writes the third act

Between 2006 and 2009 I wrote half a dozen blog posts sketching out ideas for screenplays. I could come up with what I thought was an interesting premise, but could not think of a suitable ending. That all-important third act. A few readers offered some ideas in the comments.

Fast-forward to 2023 and the ChatGPT/AI explosion. I had played (briefly) with ChatGPT but got a little more interested after reading TIME Magazine’s special edition on Artificial Intelligence. People were using the technology to do all sorts of interesting things and I wondered if could come up with endings for my “screenplays.”

I pasted what I had written in the old blog posts into the app and within seconds I had a third act. (I’ll let you decide if they’re any good.) When I decided to do this post I realized I should have titles for these stories.

A little cheesy? Perhaps. But the app spent less than five seconds coming up with these. The pages below have what I wrote in black…and the ChatGPT ending in blue.

I’m going to let ChatGPT write endings for a few more and will post them here.

Oh my. It appears we need ANOTHER ending

Young woman (college age) scours flea markets looking for digital cameras and the occasional memory card. She uses the more interesting photos in her art projects. She finds a little point and shoot and buys it, even though she can’t seem to call up any photos.

Later that afternoon she gets the camera to turn on and finds just two photos. One is an amazingly realistic image of the World Trade Center Towers in mid-collapse. The date and time (the following morning) appear in the lower right-hand corner.

Gruesome, but damned good Photo Shop work. She emails it to an art school friend who is equally impressed. Can’t see how it’s done and he can ALWAYS see how it’s done. Really bugs him.

The next morning the world changes forever. She goes back to her apartment and calls up the image on her laptop. The same image she see from her apartment window. Whoa.

The phone rings and it’s her friend from art school.

“What the fuck!? Where did you get that picture? Where did you get a fucking picture of something before it happened.

[later at friends apartment]

Young Woman wants to take the photo to the police. Hold on, says Friend. How can you explain having that photo. No way, have to think this through. Was that the only photo on the camera, asks Friend?

Young Woman pulls up the other image. It’s a store front with a selection of cameras displayed. One is circled in red. But nothing to indicate where the shop might be.

[We’ll fast-forward a bit and assume they see a street sign or address in the reflection or something like that]

They buy the camera and jump back in the car to take a look. Again, two photos. One a disaster (make it as big and as bad as you like) with date and time stamp for a week from that day.

They have to figure out where the disaster is going to take place and how to stop it. I’ll bet real screenwriters have a name for this kind keep-the-plot-moving writing. This sequence repeats a few times with the girls preventing some and not others.

The final camera only has one photo. Of the Friend shooting Young Woman in the head with a large handgun.

Regular readers know that this is where I stall out. No ending. No way to wrap things up. That, class is your assignment. To the comments!

PS: This is only a little like a story idea I posted a couple of years ago.

Snapshots

A woman/man/boy takes my picture at a crowded sidewalk cafe. I object and the woman/man/boy runs away. I give chase. The mysterious photographer dashes in front of a bus and is killed instantly. I look down and see the camera at my feet. I pick it up and walk away. A couple of blocks away I go into a bar and turn on the camera, looking for a clue to the identity of the photographer. There are just 12 images on the camera, the last one being the one just taken of me. The story unfolds as I attempt to unravel the mystery, searching for clues in the twelve photos.

Snapshots
To put some meat on the bones of this story, I really should come up with interesting photos. For example, let’s say one of them is crash scene of Princess Di (time stamped 5 seconds after the crash, before anyone else arrived).

And maybe one is a shot of Lee Harvey Oswald posing by the window in the book depository. (A digital image before there were digital cameras?)

If we want to take a spooky tack, the first image could be the crushed body of the photographer under the bus.

You get the idea. Would this make a better TV series than feature? You could post the images online and invite fans to help solve the mystery. Hmmm.

Comments/ideas are encouraged. And if this has already been done, please let me know.

All I need is one more ending

It’s the first day of anatomy class and the med students are being assigned cadavers. During the dissection process, one geeky but brilliant student discovers that his guy didn’t die from natural causes. He was, in fact, killed in a highly sophisticated manner that could only have been murder. The kind of high tech death that should have been undetectable.

We all know the next part. He takes his discovery to his professors, the cops, etc etc. Nobody listens.

The med student can’t find the dead guy’s name because the records have been erased. But his geeky-yet-adorable former girlfriend matches the face with images she finds online and discovers the guy was a blogger for the last ten or twelve years of his life.

The plot unfolds as our two protagonists dig back through the dead guy’s blog, looking for clues to who killed him and why.

Regular readers know this is as far as I get with my plots but, in a few days, Kay Henderson will come up with a thrilling conclusion.

If you can’t come up with a killer (snicker) ending, feel free to suggest a title.

Taking the Imus story to the big screen

Aging white radio personality (Bill Murrary) gets fired for racist remark. His career appears to be over until he’s hired by the owner (Bernie Mac) of a struggling, urban (Detroit?) radio station. Seems the radio personality saved the station owner’s life in the jungles of Viet Nam.

The station manager (Queen Latifah) doesn’t like the idea at all but the program director (Jack Black) –a white man who longs to be black– sees big ratings.

The local minister/activist (Eddie Murphy) keeps the heat on to get rid of “this loud-mouthed saltine!”

The station sales manager (Regina King) sees nothing but angry advertisers but soon finds herself falling in love with the repentant Murray character.

As with all my movie ideas, I have no third act, but know Kay will come through as she always does. I guess I need a title, too. Maybe, “What’d I say?”