The Senath Lions Quartet

One of the best parts of having a blog is connecting with people. You could argue it’s the only part. One of the first sites I created was a tribute to KBOA, the radio station where my father worked for many years and where I spent a dozen years. The site is packed with great photos, most of which were taken by the late Johnny “Mack” Reeder.


I captioned one of those photos  “Unknown Hillbilly Band” because I had no idea who they were. Now I do, thanks to an email from one of the men in the photo, Charley Crawford:

“The name of the group is “The Senath Lions Quartet” and this was in 1951. We started the quarter in Senath High School. The members are left to right front, Charley Crawford, Jimmy Milligan, behind Jim, right to left are Charles “Tod” Horner, James Allan and David Adams at the piano.  We were on the radio every Saturday morning at 10:30 a.m., sponsored by the Senath Merchants.”

Charlie was also a member of The Foggy Mountain Boys Hillbilly Band in 1948.

CORRECTION: I assumed –incorrectly– Charlie was referring to The Foggy Mountain Boys featuring Flatt and Scruggs. Charlie and friends were in a local band of the same name.

The Foggy Mountain Boys was an influential bluegrass band that performed and recorded during the 1940s, 1950s, and 1960s.

Lee Garrett

Sometime in the 70’s I interviewed Lee Garrett on the Grapevine, a talk show we did at KBOA. If memory serves, Garrett –who was blind– was in town visiting his momma (or some relative). I recall him being a funny guy. Following the interview, I walked him out to the parking lot (where his driver was waiting) and he said that he could drive himself, but only at night.

I sure would like to know the Kennett connection. Can anyone out there help me with that?

Update 1/2/088: Anthony Buckley –Lee Garrett’s son– found his way to this post and confirms that there is still family in Kennett and Lee visits a couple of times a year.
Lee was recently out on tour with Stevie Wonder and has also co-written an album that’s been nominated for an upcoming Grammy (“Soul of a Man” Patrick Lamb performer and co-writer).

Gobler Mercantile Company

Gobler Mercantile CompanyMy make-over of “KBOA: The Early Years” is far from complete. But I had to share a snippet from one of the pages. A Tribute to a Country Store was written (and self-published) by Virginia B. Branch. It’s probably the only history of this small country store that got big. Not Wal-Mart big but something of a phenomenon where I grew up. Here’s the paragraph that caught my eye:

“About 1952 television had come to Gobler and each night, out back on the porch of the furniture department, one of these new inventions was displayed for benefit of the general public. It was here that most of Gobler’s citizens saw their first TV. A good-sized crowd was on hand every night. There was only one channel at the time so no disagreements could arise as to program choices.”

And now it’s Tivo, iPods, AppleTV and all the rest. From one channel… to thousands.

Cueing records

I love this photograph of my father. It was taken in the control room (Studio A) of KBOA in Kennett, Missouri, probably around 1950.

Anyone that has ever “cued” a record recognizes that sense of touch and the delicate balance of the heavy tone-arm on the oh-so-easy-to-scratch record.

A skill (if you could call it that) that hasn’t been needed for many years. I’m glad I didn’t miss those final years of high-touch, hands-on radio.

We had one of the early automation systems (for our FM station) but it felt like telling someone how to make love to your girl friend.

And the thrill of having the program director walk into the studio while you were on the air and put the hot new single into “current” box. Is it as much fun to see the new single come into the rotation on a computer monitor?

Before I get carried away, allow me to say –for the record– I don’t miss using a grease pencil and splicing blog to edit tape. If I had to choose, I’d be th digital boy I have become.

Radio Announcers (John Mays and Mr. Rudy)

That’s what they called them when my father and Mr. Rudy (Pylant) were on the air at KBOA in Kennett, Missouri. Pop and Mr. Rudy have since made the transition to Pure Amplitude Modulation but the audio waves of their wonderful voices are still streaking through space.

I had never seen this photo of John and Rudy standing in front of the KBOA studio but, based on the automobiles behind them, it could have been as early as ’49 or ’50. The station went on the air in July of 1947 and my father started in 1949. Any of you car freaks able to ID the year of the car at the right edge of this photo?