Tag Archives: Interview-Steve

Interview conducted by Steve Mays

Thirty years of election coverage

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The first election covered by The Missourinet (a network owned by the company I work for) was in 1976. News Director Bob Priddy orchestrated that first election night and every one since. Prior to The Missourinet, radio stations throughout the state focused on local races and relied on the wire services for news and numbers from throughout the state.

The Missourinet brought the sounds of election night from the state capitol and campaign headquarters throughout Missouri to the hometown audiences of our affiliates.

The technology has changed… and is changing… but insight and understanding Missourinet reporters bring to their election night coverage remains the focus of their reporting. Bob reflects on the past 30 years in this 10 minute video.

Interview: Dan Shelley, WCBS-TV

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In July, my old friend Dan Shelley left WTMJ in Milwaukee and moved to New York as Executive Editor of Digital Media for WCBS-TV. I spoke with him this morning about digital media, journalism, blogging, radio, life in NY and riding in the elevator with Andy Rooney. Dan is pumped about his new job and living in Manhattan.

AUDIO: Interview with Dan Shelley

Dan offered this warning to broadcasters: “If you don’t do more than just stick your toe in the water, if you don’t plunge head-first and totally immerse yourself in the digital media future, and do it now, you will die.”

For those that might have missed it, I interviewed Dan in May, 2005, right after he took over as chairman of the Radio and Television News Director’s Association. He talked the “digital talk,” and now he’s “walking the digital walk.”

Interview: Dan Arnall, Business Editor, ABC News

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Dan ArnallIn the mid-90’s (1996? 1995) I went searching for someone that could help our our company get online. Websites were a new thing and I didn’t have a clue where to start, so I called Mike McKean at the University of Missouri School of Journalism (not sure if he was a professor back then) and he said he had a student that was really sharp, had his own web page, and might be just what we were looking for.

I met with Dan who told me he and his best friend, Allen Hammock, had a company that could do just what we needed. I think the company was about 10 minutes old at that moment but we wound up hiring Dan and Allen (who became affectionately known as the Cyber Twins) to guide Learfield into the new digital age.

We got wet –like everybody else– when the Internet bubble burst and Dan and Allen moved on to pursue their careers. Dan, a graduate of the University of Missouri School of Journalism, kicked around in Seattle and San Francisco for a bit and then went back to to get his masters degree at Columbia University.

We chatted for half and hour earlier this evening, talking about his duties at ABC; the changing world of journalism and media; living in Manhatten and Brushes with Near Greatness (John Lithgow and Tony Danza). (AUDIO: 30 min, 10 meg MP3)

Technical Note: After screwing the pooch on a couple of Skype interviews, I’m proud to report this sounds pretty good. I was a tad hot but I didn’t lose the interview.

The Best Little Whorehouse in Texas (Ben Brogdon)

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A few days ago I posted on getting an email from Ben Brogdon who used to work in radio down in my neck of the woods (Northeast Arkansa/Southeast Missouri). As I always do, I Googled Ben and got a hit on the Broadway musical, The Best Little Whorehouse in Texas. It ran from 1978 until 1982 (later made into a movie starring Dolly Parton, Burt Reynolds, Charles Durning et al) and Ben played in the Rio Grand Band, part of the original Broadway cast. I pinged Ben to see if he was “that Ben Brogdon”:

“Yassir, tha’s me. We had a western swing band in Nashville for the fun of it, and a friend of ours who produced Asleep at the Wheel (and some of Bob Wills later stuff, and Willie Nelson’s early stuff, and who also played with Buddy Holly when he was killed) hooked us up to the powers-that-were, and we went to New Yawk on a trial basis and just stayed a while. It was a great experience, and I wouldn’t trade it for anything, but I honestly didn’t like living there very much. I will have to say, though, there sure was a lot of great music to hear, and some incredible restaurants. The play, by the way, was a lot better than the movie. I still sorta keep in touch with one of the authors of the play, Larry L. King. He lives in D.C., and still writes some. Great guy with a great mind.

In case you’re interested, I’ve worked with some kinda big name acts, but most of them were country. (Stonewall Jackson, Dottie West, Donna Fargo, Barbara Mandrell, and others). I did work a club in Nashville where we backed a lot of different people doing showcases, or even just settin’ in, and got to play with Tony Orlando, Lou Rawls and others. All in all, I’d say I’ve played bass for about 150 name or near name acts. And the number of great instrumentalists I’ve been fortunate to pick with still amazes me. I don’t know if you’ve heard of some of them, but Lenny Breau and Danny Gatton, as well as Roy Clark, Chet Atkins and some others are some who I’ve gotten to pick for. Now, please, I’m not name dropping, but I’ve been in the bidness a long time and have been very lucky.

If you saw The Best Little Whorehouse In Texas in New York at the 46th street theater in ’78 or ’79, I was probably playing bass. I left and went back to Nashville after about two years. You’ll also see me on a blues website, I think, and I’m on a lot of steel guitar things.”

Talk about your brushes with near greatness! Ben has agreed to let me interview him and we’re working on the details but it sounds like he’s got some great stories to tell. Stay tuned.