Apple Music Update

I’ve been a fan of Apple Music since its launch in 2015 and have posted here praising the curation process. I asked Gemini for an update:


(Gemini) Apple Music leans heavily on human curation as a point of pride, positioning itself as a “cultural curator” rather than just a data utility. While Spotify is known for its “Algotorial” approach, Apple’s editorial team is the backbone of their most prominent playlists. Here is a breakdown of the people behind the lists:

The Global Editorial Team

Apple employs over 1,000 curators globally. These aren’t just tech employees; they are largely recruited from the worlds of professional DJing, music journalism, and radio programming.

  • The Specialists: They are organized by genre and region. For example, the person curating a “K-Pop” playlist likely lives in or has deep cultural ties to Seoul, rather than a generalist working out of Cupertino.
  • The Task: Their job is to listen to thousands of tracks weekly. Unlike algorithms, they are looking for “narrative flow”—ensuring the transition from a high-energy track to a mellow one feels intentional and human.
  • The Philosophy: Apple’s internal mandate often focuses on “human emotion and cultural wisdom.” They prioritize songs that might not have the best “data” (skips/saves) but are culturally significant or represent a “vibe” the algorithm might miss.

High-Profile Tastemakers

You’ll often see names attached to specific radio shows or “Guest Curator” lists. These individuals influence the editorial direction of the broader playlists:

  • Zane Lowe & the Radio Team: As the Global Creative Director, Lowe (formerly of BBC Radio 1) oversees much of the “tone.” His team includes veteran broadcasters like Ebro Darden (Hip-Hop/R&B) and Matt Wilkinson.
  • External Partners: Apple also allows “Brand Curators” to maintain profiles. These include publications like The Independent, Pitchfork, or Rolling Stone, and labels like Numero Group or XL Recordings.

How They Work With “The Machine”

The process is a feedback loop. While the human editors pick the “Flagship” tracks for playlists like Today’s Hits or Rap Life, they use data to see if their “gut feeling” was right.

  • If an editor places a song at #1 and users skip it 80% of the time, the data tells the editor to move it.
  • Conversely, the human editors provide the “high-authority signals” that the algorithm then uses to populate your personal Discovery Station or New Music Mix.

You won’t usually find an individual’s name on a standard Apple-branded playlist (e.g., Pure Throwback). However, if you look at the bottom of a playlist description, Apple often credits the curator if it’s an external partner. For internal lists, the “voice” is kept anonymous to maintain the Apple brand identity.

Don’t buy a Honda Element

Watch on YouTube

I’ve been watching a lot of videos about the Honda Element in anticipation of getting one of my own in a couple of weeks. This is not a “how to” video, rather a semi-gushy tribute to the vehicle. Don’t miss the lyrics to the soundtrack.

UPDATE: Fans of the Honda Element have produced songs about the vehicle. I’ve found three so far (Objective Garage)

Box On Wheels

Everything It Has Got

In My Element

Apple Music “All Time”

When I fired up the Apple Music app this morning I was greeted with a new playlist. “In honor of Apple Music’s first decade, take a look back. Relive your all-time favorite tracks, all in one playlist.” 100 songs that will take 7 hours and 10 minutes to listen to. And a great playlist it is. (If you’re an Apple Music subscriber that link will take you there)

Apple Music launched on June 30, 2015 and I did my first blog post on July 2. I was immediately taken with Apple Music and have happily paid $109 a year for the service. While I did not have a massive collection of albums and CD’s, I gave them away shortly after subscribing to Apple Music and have never regretted the decision. In the ensuing ten years Apple Music has “learned” my musical preferences and created better playlists than I could have.

Suno AI

“Suno AI is a generative artificial intelligence music creation program that allows users to generate realistic songs combining vocals and instrumentation based on text prompts. Suno has been widely available since December 20, 2023, after launching a web application and partnering with Microsoft to include Suno as a plugin in Microsoft Copilot.” (Wikipedia)

I had not heard of Suno until I received the following text from my friend David.

La Tiara, our favorite brand of taco shells, has been discontinued. I asked Claude for lyrics to a mariachi ballad in tribute, and fed them to Suno and got this.I asked for a mariachi style ballad. Was not expecting Spanish.

David and I worked together at Learfield Communications during the early days of the Internet. I was boring everyone to tears with my predictions about what a Big Deal it was going to be. Huge! Transformative! Bigger than radio! David shared my enthusiasm. To illustrate Suno’s magic…

I prompted for a song about a guy named Steve who’s trying to convince his company the internet is the next big thing, but they don’t believe him because all they know is radio.” It came up with the bizarrely accurate details on its own. [lyrics]

“Almost Cut My Hair”

(Wikipedia)Almost Cut My Hair” is a song by Crosby, Stills, Nash & Young, originally released on the band’s 1970 album Déjà Vu. It was recorded at Wally Heider Studios on January 9, 1970.

The song describes a real-life dilemma faced by many hippies: whether to cut one’s hair to a more practical length, or leave it long as a symbol of rebellion.[3] It was written by David Crosby, and features solo vocals by Crosby, with the rest of the band joining in on instruments rather than on vocal harmony, as in many of their other songs. […] It was one of only two songs from the album that Neil Young joined in on, despite not writing.

Although the notion of long hair as a “freak flag” appeared earlier, notably in a 1967 Jimi Hendrix song “If 6 Was 9”, Crosby’s song has been credited with popularizing the idea of long hair as a deliberate and visible symbol of the wearer’s affiliation with the counterculture, and opposition to establishment values. The song also evokes the singer’s “paranoia” at seeing the police; James Perone writes that, “more than any other song of the entire era”, it “captures the extent to which the divisiveness in American society … had boiled over into violence and terror”.

It became one of Crosby’s signature songs, and “probably his most important political song”.Crosby himself stated “It was the most juvenile set of lyrics I’ve ever written … but it has a certain emotional impact, there’s no question about that.”

Hotel California guitar solo

Chen is one of the daughters in a “family band” from the Philippines. She —and what I assume are her two sisters and father— perform amazing covers of hit songs. The still to the right is from a 2 1/2 minute video of her playing the guitar solo from The Eagles’ Hotel California. A couple of things about this short video grabbed me. Her obvious proficiency with this guitar solo but even more was the blissed out concentration that you see in the faces of the best guitar players. In the zone?

A couple of questions popped into my head: How long did it take her to master this iconic solo… followed by, Who wrote and first performed it. I went to Perplexity for the following, including reference sources:

According to interviews and accounts from Don Felder and others involved, the iconic guitar solos and dueling guitar parts on “Hotel California” by the Eagles came together in the following way:

  • Don Felder originally composed the music and recorded a demo for “Hotel California” at his home studio in Malibu in 1976. On this demo, he improvised and recorded sample guitar solos and parts that he envisioned for himself and Joe Walsh to play on the final recording.
  • When it came time to record the guitar solos and leads in the studio in Miami, Felder and Walsh initially started improvising new parts together. However, Don Henley stopped them and insisted they learn and play Felder’s original demo solo parts note-for-note.
  • The problem was Felder didn’t have the original demo tape with him in Miami. He had to call his housekeeper back in Malibu, have her find the cassette, play it over the phone, and Felder re-learned and transcribed his own improvised guitar parts from the demo.
  • Felder estimates that over half of the iconic guitar solos and dueling parts on the final “Hotel California” recording came directly from the original demo he recorded at home, with him and Walsh splitting up and learning those parts.
  • Specifically, Felder played the first half of the ending guitar solo, while Walsh played the second half. They then combined for the harmonized finale section.

So in summary, while Felder and Walsh did collaborate and split the guitar solos, a significant portion was actually Felder improvising alone on his original demo, which Henley insisted they recreate faithfully in the studio.

Sheryl Crow Rock and Roll Hall of Fame induction

“I don’t feel like I’ve been doing this that long. It’s gone so fast. I really didn’t see this coming”

On November 3rd (2023) hometown girl Sheryl Crow will be inducted into the Rock and Roll Hall of Fame alongside George Michael, Missy Elliott, Rage Against The Machine, Willie Nelson, the Spinners, Kate Bush, Chaka Khan, DJ Kool Herc, Al Kooper, Bernie Taupin, and Don Cornelius. From the Rolling Stone interview:

I could not have predicted it if I tried, especially in the early days of my career, coming from a town with three stoplights. Having grown up listening to Willie on my radio station, I just couldn’t have predicted it. There’s no way.

First and foremost, Willie Nelson is my favorite person to sing with in the universe. But if I get to stand and sing with Chaka Khan, I’m afraid I will lose my shit. [Laughs] She’s one of the greatest singers of all time and just a badass.

When the Rock and Roll Hall of Fame and Museum opened up in Cleveland in 1995 with a massive stadium concert featuring Bob Dylan, Chuck Berry, Johnny Cash, Bruce Springsteen, Jerry Lee Lewis, and countless other rock veterans, Sheryl Crow was one of the youngest artists on the bill.