Assorted Favs

One of the unanticipated joys of my new Bronco is Apple Music on CarPlay. I’ve subscribed for years but virtually all of my listening has been on the iPhone. Sounds great with my AirPods but listening in the Bronco has made me away of just how much of Apple Music I’ve been missing. (For now I’m trying to get my head around the difference between My Library and Playlists).

Somewhere along the way I started a playlist of some of my favorite songs (in no particular order):

  • Hallelujah (with The Seattle Symphony) – Brandi Carlile
  • Your Drinking – Gretchen Phillip
  • We Just Get Along – Evangenitals
  • F*ck ’em All – Evangenitals
  • In Case of Rapture – Gretchen Phillips
  • Lean On Me – Club Nouveau
  • Oh Happy Day – Club Nouveau
  • Dark End of the Street – Veronica Klaus
  • At the Dark End of the Street – Bobby King & Terry Evans
  • Table for One – Liz Phair
  • One of Us – Joan Osborne
  • Old – Paul Simon

I’m also favoriting more songs so this list will grow. (see Lucas Davenport’s 100 Best Songs of the Rock Era for inspiration)

Apple Music Update

I’ve been a fan of Apple Music since its launch in 2015 and have posted here praising the curation process. I asked Gemini for an update:


(Gemini) Apple Music leans heavily on human curation as a point of pride, positioning itself as a “cultural curator” rather than just a data utility. While Spotify is known for its “Algotorial” approach, Apple’s editorial team is the backbone of their most prominent playlists. Here is a breakdown of the people behind the lists:

The Global Editorial Team

Apple employs over 1,000 curators globally. These aren’t just tech employees; they are largely recruited from the worlds of professional DJing, music journalism, and radio programming.

  • The Specialists: They are organized by genre and region. For example, the person curating a “K-Pop” playlist likely lives in or has deep cultural ties to Seoul, rather than a generalist working out of Cupertino.
  • The Task: Their job is to listen to thousands of tracks weekly. Unlike algorithms, they are looking for “narrative flow”—ensuring the transition from a high-energy track to a mellow one feels intentional and human.
  • The Philosophy: Apple’s internal mandate often focuses on “human emotion and cultural wisdom.” They prioritize songs that might not have the best “data” (skips/saves) but are culturally significant or represent a “vibe” the algorithm might miss.

High-Profile Tastemakers

You’ll often see names attached to specific radio shows or “Guest Curator” lists. These individuals influence the editorial direction of the broader playlists:

  • Zane Lowe & the Radio Team: As the Global Creative Director, Lowe (formerly of BBC Radio 1) oversees much of the “tone.” His team includes veteran broadcasters like Ebro Darden (Hip-Hop/R&B) and Matt Wilkinson.
  • External Partners: Apple also allows “Brand Curators” to maintain profiles. These include publications like The Independent, Pitchfork, or Rolling Stone, and labels like Numero Group or XL Recordings.

How They Work With “The Machine”

The process is a feedback loop. While the human editors pick the “Flagship” tracks for playlists like Today’s Hits or Rap Life, they use data to see if their “gut feeling” was right.

  • If an editor places a song at #1 and users skip it 80% of the time, the data tells the editor to move it.
  • Conversely, the human editors provide the “high-authority signals” that the algorithm then uses to populate your personal Discovery Station or New Music Mix.

You won’t usually find an individual’s name on a standard Apple-branded playlist (e.g., Pure Throwback). However, if you look at the bottom of a playlist description, Apple often credits the curator if it’s an external partner. For internal lists, the “voice” is kept anonymous to maintain the Apple brand identity.

Apple Music “All Time”

When I fired up the Apple Music app this morning I was greeted with a new playlist. “In honor of Apple Music’s first decade, take a look back. Relive your all-time favorite tracks, all in one playlist.” 100 songs that will take 7 hours and 10 minutes to listen to. And a great playlist it is. (If you’re an Apple Music subscriber that link will take you there)

Apple Music launched on June 30, 2015 and I did my first blog post on July 2. I was immediately taken with Apple Music and have happily paid $109 a year for the service. While I did not have a massive collection of albums and CD’s, I gave them away shortly after subscribing to Apple Music and have never regretted the decision. In the ensuing ten years Apple Music has “learned” my musical preferences and created better playlists than I could have.

“AirPods!”

During the early days of the pandemic, as more and more people began showing up on TV via Zoom et al, I would shout out to Barb, “AIRPODS!” That quickly became annoying so I would whisper, “AirPods.” Now I just mouth the words.

I have mine in so frequently I’ve stopped noticing them (they fit my ears perfectly). Arguments about audio quality aside, they have changed my perception of music. It seems to be coming from inside my head, rather than through my ears.

Apple Music playlists (piano solos and cello solos) have become the the background for my awareness, making me noticeably more relaxed and peaceful.

The people who make the streaming playlists

Good piece from last year on the people who curate playlists for streaming music services:

“As streaming has gone mainstream, these curators, many of whom began their professional lives as bloggers and DJs, have amassed unusual influence. Their work, as a rule, is uncredited — the better for services designed to feel like magic — but their reach is increasingly unavoidable. Spotify says 50% of its more than 100 million users globally are listening to its human-curated playlists (not counting those in the popular, algorithmically personalized “Discover Weekly”), which cumulatively generate more than a billion plays per week. According to an industry estimate, 1 out of every 5 plays across all streaming services today happens inside of a playlist. And that number, fueled by prolific experts, is growing steadily.”

“All the signs point to playlists being the dominant mode of discovery in the near future,” says Jay Frank, senior vice president of global streaming marketing for Universal Music Group, the largest of the major label conglomerates. “When it comes to trying to find something exciting and new, more people are going to want to go to trusted playlists.”

I hope these folks always have a job and I sort of think they will. Not convinced an algorithm can do the voodoo they do.