Assorted Favs

One of the unanticipated joys of my new Bronco is Apple Music on CarPlay. I’ve subscribed for years but virtually all of my listening has been on the iPhone. Sounds great with my AirPods but listening in the Bronco has made me away of just how much of Apple Music I’ve been missing. (For now I’m trying to get my head around the difference between My Library and Playlists).

Somewhere along the way I started a playlist of some of my favorite songs (in no particular order):

  • Hallelujah (with The Seattle Symphony) – Brandi Carlile
  • Your Drinking – Gretchen Phillip
  • We Just Get Along – Evangenitals
  • F*ck ’em All – Evangenitals
  • In Case of Rapture – Gretchen Phillips
  • Lean On Me – Club Nouveau
  • Oh Happy Day – Club Nouveau
  • Dark End of the Street – Veronica Klaus
  • At the Dark End of the Street – Bobby King & Terry Evans
  • Table for One – Liz Phair
  • One of Us – Joan Osborne
  • Old – Paul Simon

I’m also favoriting more songs so this list will grow. (see Lucas Davenport’s 100 Best Songs of the Rock Era for inspiration)

Jan’s Blues

A few days ago one of Barb’s friends asked asked about singing telegrams. Something she could order online and email for a birthday. (Barb’s sister). I suggested she use an AI to create an original song. She sent a beautiful note which I uploaded to Claude.ai which promptly turned around some lyrics.

I uploaded those to Suno which cranked out the tune below:

“A slow twelve-bar in the key of seventy years.”
“She’s my sister from another mister. The soother of my soul.”

PS: I played the song for two people, both of whom didn’t care for it. I thought is was perfect.

Apple Music Update

I’ve been a fan of Apple Music since its launch in 2015 and have posted here praising the curation process. I asked Gemini for an update:


(Gemini) Apple Music leans heavily on human curation as a point of pride, positioning itself as a “cultural curator” rather than just a data utility. While Spotify is known for its “Algotorial” approach, Apple’s editorial team is the backbone of their most prominent playlists. Here is a breakdown of the people behind the lists:

The Global Editorial Team

Apple employs over 1,000 curators globally. These aren’t just tech employees; they are largely recruited from the worlds of professional DJing, music journalism, and radio programming.

  • The Specialists: They are organized by genre and region. For example, the person curating a “K-Pop” playlist likely lives in or has deep cultural ties to Seoul, rather than a generalist working out of Cupertino.
  • The Task: Their job is to listen to thousands of tracks weekly. Unlike algorithms, they are looking for “narrative flow”—ensuring the transition from a high-energy track to a mellow one feels intentional and human.
  • The Philosophy: Apple’s internal mandate often focuses on “human emotion and cultural wisdom.” They prioritize songs that might not have the best “data” (skips/saves) but are culturally significant or represent a “vibe” the algorithm might miss.

High-Profile Tastemakers

You’ll often see names attached to specific radio shows or “Guest Curator” lists. These individuals influence the editorial direction of the broader playlists:

  • Zane Lowe & the Radio Team: As the Global Creative Director, Lowe (formerly of BBC Radio 1) oversees much of the “tone.” His team includes veteran broadcasters like Ebro Darden (Hip-Hop/R&B) and Matt Wilkinson.
  • External Partners: Apple also allows “Brand Curators” to maintain profiles. These include publications like The Independent, Pitchfork, or Rolling Stone, and labels like Numero Group or XL Recordings.

How They Work With “The Machine”

The process is a feedback loop. While the human editors pick the “Flagship” tracks for playlists like Today’s Hits or Rap Life, they use data to see if their “gut feeling” was right.

  • If an editor places a song at #1 and users skip it 80% of the time, the data tells the editor to move it.
  • Conversely, the human editors provide the “high-authority signals” that the algorithm then uses to populate your personal Discovery Station or New Music Mix.

You won’t usually find an individual’s name on a standard Apple-branded playlist (e.g., Pure Throwback). However, if you look at the bottom of a playlist description, Apple often credits the curator if it’s an external partner. For internal lists, the “voice” is kept anonymous to maintain the Apple brand identity.

Don’t buy a Honda Element

Watch on YouTube

I’ve been watching a lot of videos about the Honda Element in anticipation of getting one of my own in a couple of weeks. This is not a “how to” video, rather a semi-gushy tribute to the vehicle. Don’t miss the lyrics to the soundtrack.

UPDATE: Fans of the Honda Element have produced songs about the vehicle. I’ve found three so far (Objective Garage)

Box On Wheels

Everything It Has Got

In My Element