Murderbot TV series coming May 16

Martha Wells’ award-winning sci-fi book series will soon be a streaming series, co-created by Chris and Paul Weitz and starring Alexander Skarsgård. Murderbot is described in an Apple TV+ press release as a “comedic thriller,” which matches up with the books; Skarsgård plays the title character, “a self-hacking security construct who is horrified by human emotion yet drawn to its vulnerable clients … Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe.”

This is pretty much how I pictured Murderbot.


Martha Wells’ Murderbot Diaries is a science fiction series centered around a self-aware security android that has hacked its own governor module, allowing it to act independently. Rather than fulfilling its assigned duties, it prefers to binge-watch entertainment feeds and avoid human interaction. However, when its human clients face danger, Murderbot reluctantly steps in, often grappling with its own identity, autonomy, and the moral implications of its actions.

The series begins with All Systems Red (2017), where Murderbot protects a group of scientists from corporate sabotage. As the series progresses, it embarks on a journey of self-discovery, questioning what it means to be free while uncovering deep corporate conspiracies. The series blends action, humor, and existential reflection, making it a unique and engaging read. Murderbot’s dry wit and awkwardness make it a relatable and beloved protagonist in modern sci-fi. (ChatGPT)

“More human than human”

That’s the motto of the corporation in Ridley Scott’s sci-fi classic, Blade Runner. The film was released 42 years ago and has stood the test of time. I watched it again last night. For the tenth time? The twentieth? And every time I discover some perfect new visual detail or bit of dialog. Like this from Rachael:

“I’m not in the business. I am the business.”

As I watched the movie again last night I was aware of the phone by my hand and the AI chatbots within. I asked ChatGPT about the “More human than human” line.

The line “More human than human” from Blade Runner is quite intriguing. In the context of the film, it refers to the replicants created by the Tyrell Corporation, which are designed to be almost indistinguishable from humans but are often superior in physical and mental capabilities. Philosophically, it can be interpreted in several ways:

    • Creation and Perfection: It suggests that the replicants are engineered to be better than humans, embodying idealized qualities that surpass natural human limitations.
    • Identity and Humanity: It raises questions about what it means to be human. If replicants can think, feel, and even surpass human abilities, what distinguishes them from humans? It blurs the lines between creator and creation.
    • Irony and Critique: There’s an irony in the phrase, as the replicants, despite being “more human,” are denied human rights and treated as mere property. It critiques the ethical implications of creating life and the responsibilities that come with it.

Overall, the phrase encapsulates the film’s exploration of humanity, identity, and the ethical dilemmas of advanced technology.

In a recent interview with Rolling Stone, Scott called AI a “technical hydrogen bomb” and warned about its potential dangers.

“A yammy full of Georgia joy juice”

The Shield premiered in 2002 and got glowing reviews but I never got around to watching it. Until now. It holds up well after 20+ years. The show was created and written by Shawn Ryan and while I can’t say for sure he penned this bit of dialog, somebody deserves an award for coming up with the line, “I’ve got a yammy full of Georgia joy juice.” And I thought I had every slang term for female genitalia.

Fallout

“The end of the world is not what it used to be”

Is that a great tagline, or what? I’m about four episodes in. Making the end of the world funny is a tall order but the series manages to do so. Walton Goggins (Boyd Crowder!) is the perfect bad guy; Mykelti Williamson (Ellstin Limehouse, also from Justified) makes a early/brief appearance; Dale Dickey, another Justified alum (who was wonderful in Winter’s Bone) does her redneck thing, and I’m sure I’ll be seeing other familiar faces. Oh, and the soundtrack. Absolutely brilliant.