Category Archives: Film & TV
Four Arguments for the Elimination of Television
Four Arguments for the Elimination of Television (1978) is a book by Jerry Mander, who argues that many of the problems with television are inherent in the medium and technology itself, and thus cannot be reformed. From Wikipedia page:
“Television has effects, very important effects, aside from the content, and they may be more important. They organize society in a certain way. They give power to a very small number of people to speak into the brains of everyone else in the system night after night after night with images that make people turn out in a certain kind of way. It affects the psychology of people who watch. It increases the passivity of people who watch. It changes family relationships. It changes understandings of nature. It flattens perception so that information, which you need a fair amount of complexity to understand it as you would get from reading, this information is flattened down to a very reduced form on television. And the medium has inherent qualities which cause it to be that way.”
Sorcerer
1977 American thriller film directed and produced by William Friedkin and starring Roy Scheider. (Wikipedia)
Two movies about politicians and politics
The playlist above includes seven clips from two movies: Frank Capra’s 1939 classic, Mr. Smith Goes to Washington (Jimmy Steward, jean Arthur, Claude Rains); and Dave (Kevin Kline, Sigourney Weaver, Frank Langella and the brilliant Charles Grodin). I’ve posted all of these clips but thought they’d make a nice, tidy playlist.
PS: the tiny horizontal lines with the pointer in the top-right corner, indicates a playlist of several videos.
Random Clips
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Small office (Brazil)
Travelers
“Thousands of special operatives, sent back in time from the future, are tasked with preventing the collapse of society. These operatives, known as “travelers”, take over the body of a 21st century individual via a “transfer of consciousness”; to minimize impact on the timeline, it is performed moments before the person’s “recorded time of death”. The transfer requires the exact location of the target; smartphones and GPS have made this possible only from the early 21st century onward. Prepared using social media and public records concerning their targets, small teams of travelers must maintain their hosts’ pre-existing lives as cover while carrying out missions, dictated by their “Director” in the future, aimed at saving the world from a series of catastrophic events. The Director communicates with travelers via pre-pubescent children used as “messengers”; unlike adults, any child can safely be taken over for a few minutes and then released from control. The show focuses on one team of five travelers, starting from their transfers of consciousness. As the series progresses, changes in the present make significantly unanticipated changes in the future.” (Wikipedia)
Atomic Blonde Trailer
The best thing about Alien: Covenant was the preview for Atomic Blonde. Ridley Scott gave us a scifi classic with Alien. James Cameron delivered a darn good follow-up. That would have been the place to stop. Very disappointed in Ridley Scott.
Movix.ai
Teletype
I recall visiting the radio station where my father worked and standing in front of the Associated Press teletype, entranced by the endless stream of words. Who was typing? Where were they? Did they ever stop?
Years later, as a young man, I got a job at the station and came to depend on the AP “wire.” It was our only link to real-time (I’m not sure that phrase even existed in 1972) news and information from outside our little town. The daily newspaper was tossed on the doorstep every afternoon (or you could get the Memphis paper a day late). The three national TV networks gave us a half-hour of national news each evening.
Our radio station didn’t have a national news network (until 1974) so we relied on the Associated Press newswire for just about everything throughout the day. During a live “board shift” we would dash to the AP teletype (in the transmitter room) and “rip the wire” which involved tearing a long strip of printed wire copy into piles of news, weather, sports, entertainment news, etc. If the paper jammed or the ribbon broke, we missed whatever was fed. If something the AP considered urgent was fed, an alarm bell on the teletype sounded.
A radio station had to have a wire service. Without it they were limited to playing records and reading local news and school lunch menus. The AP knew this and charged accordingly. Thousands of dollars a year. Contracts were for five years. But there was no alternative.
In 1984 I left the radio station to take a job managing The Missourinet, a statewide news network originating from Jefferson City, Missouri. I worked for (parent company) Learfield Communications for the next 28 years. One of the more interesting projects I worked on was the creation of a low-cost alternative to the Associated Press. We called it Learfield Data (later, Learfield Newswire).
I worked on this (along with bunch of other people) for a dozen years from the late ’80s through 2000. At one time we had 300 subscribers. When the World Wide Web became a reality in the mid-90s it was clear the days of wire services were numbered. Road kill on the Information Highway. You can read (PDF) the story of how it began and ended here: Learfield Data