New media can’t get here soon enough

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Proto-blogger Dave Winer thinks the real problem revealed by Scott McClellan’s new tell-all book is that the press was complicit in beating the Iraq war drum:

“But corporate-owned media isn’t interested in helping us make decisions as a country, they’re only interested in ad revenue. That’s why it’s so important that we’re creating new media that isn’t so conflicted, and why the question of whether bloggers run ads or not is far from a trivial issue.”

When it comes to national media, there really are not that many outlets that need to be manipulated. Four TV networks; maybe that many cable news channels; a handful of newspapers with national reach. If you can juke them, you’ve got a lot of the country juked.

The sooner their influence is diminished, the better. There will no longer be even the illusion of “national media” and people will have to work (a little) at being informed. Sure, the willfully clueless will still head for blogs and news sites that confirm their view. But the rest of us will stop trusting (if we haven’t already) news organizations that are child’s play for political spin-miesters.

Mike Spooner: Creator of Worlds

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Michael_spoonerRemember that kid that sat behind you grade school that was always drawing? Ever wonder what happened to him? Well, if he (or she) was as talented as Michael Spooner, he did okay.

Michael (we knew him as Mike back then) and I were classmates 45 years ago in Kennett, MO. Michael and I ran in different crowds but Kennett was a small place and everybody knew everybody.

In a previous post I mentioned that Michael stumbled across smays.com a few days ago and pinged me. He included some old snapshots and his resume, to let me know what he’s been up to.

He got into animation as a  Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. He spent some years at Disney where he worked on –just to name a few– Goof Troop, The Little Mermaid, Aladdin, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. He also assisted on early development design of Dreamworks’ Shrek. And he Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. If you have kids or an appreciation for animation, check out his bio. He was also kind enough to share a dozen or so examples of his work.

Treasure475

I called Michael up this morning and asked him to share some of his adventures and we wound up talking for an hour. I’ve cut the interview into three segments about about 20 minutes each.

AUDIO: Interview Part 1

AUDIO: Interview Part 2

AUDIO: Interview Part 3

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts and lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

J. Michael Spooner – Visual Development Design Consultant

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Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks.

Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction. He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.

Michael ventured into animation as a Layout Artist with Ralph Bakshi’s feature production of Tolkien’s, Lord of the Rings. Shortly after he worked with Filmation Studios on He-Man, Bravestar and Fat Albert and on the Bagdasarian feature, The Chipmunk Adventure.

Joining the Walt Disney Television Animation team in 1988 as a Visual Development Artist and Production Designer, Michael set the style for such episodic shows as, Chip ‘n’ Dale’s Rescue Rangers, Talespin, Goof Troop, The Little Mermaid, New Bonkers and Aladdin. He also worked on the direct-to-video production of Aladdin and the King of Thieves.

In 1994, Michael and his family moved to Paris, France, where he headed up the Production Layout team for Disney’s feature film, A Goofy Movie.

Returning to Los Angeles in 1995, Michael Co-Art Directed Warner Brothers first full-length animated feature, Quest for Camelot. Following that he worked independently as a Visual Development Designer Consultant on Disney’s Dinosaurs, The Emperor’s New Groove, Treasure Planet and Lilo and Stitch. Michael also assisted on early development design of Dreamworks,’ Shrek.

Michael moved to the Chicago area in 1999 to become Vice President of Visual Development and Artist Education with Big Idea Productions, home of the popular 3D animated video series, Veggie Tales. There he developed and headed up the Visual Development process in Story, Concept Design, Modeling and Layout. He also served as Art Director on various productions and as an Art Direction Consultant on Big Idea’s first feature animated film, Jonah.

Today, Michael owns Spoonerville Animation Design, an independent visual development studio, providing both traditional and CGI design concepts for clients such as Big Idea, Inc., Star Farm Productions, ReelFX Creative Studios and Walt Disney Animation Studios.

He lives in the western suburbs of Chicago with his writer-wife Beverly, and son Philip.

Michael is a visiting artist and lecturer, presenting in universities, art schools and animation studios throughout the United States.

You may reach him at: spoonerville1@sbcglobal.net or 630 301-0895

Blogger’s High

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E-Media Tidbits points us to an article in the May 2008 Scientific American, by Jennifer Wapner (Blogging: It’s Good for You):

“Blogging may make us feel better because it acts as a substitute or placebo for real satisfaction. Or, according to one neuroscientist cited by Wapner, our limbic (primitive) brain may have an innate need to communicate — akin to our drives for food or sex. Thus, as we blog, our bodies may release the feel-good neurotransmitter dopamine.”

I feel better already.

The Digital Cottage Industry

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Agwired

I’ve posted frequently about my friend Chuck, who –with his wife Cindy and a SWAT team of free-lance bloggers– have built a thriving business providing blogging, podcasting and related services to a growing list of clients.

"Cindy and I have been going over calendars and we just realized that we have 23 events scheduled to blog in the next 3 months. Yeeow. Just the hotel reservations, credentialing, registering, airline reservations, etc. are a task. We’ve also got 5 website projects underway just to add to the fun."

Can you make money blogging? For most, the answer is "not likely." For the few, the proud, the Marines… yes. Booyah!

The results business

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Mark Ramsey points to a survey of marketing professionals that shows growing pressure on accountability:

“86% of marketers say pressure has increased on them to account for results; no one said that the pressure has decreased. Moreover, 68% of organizations are measuring the quantifiable contribution of marketing to the bottom line.

Message to radio: You’re no longer in the advertising business. You’re in the results business.
So which are you selling, advertising or results?”

I feel like I should have something to say about this… but I don’t know what it would be.

“Poor whites are being conned”

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So writes Leonard Pitts, a columnist for the Miami Herald who’s trying to understand why Barack Obama lost so decisively in West Virginia (and later in Kentucky). If there’s a victim here, it’s not Senator Obama.

“The white poor have been victims of a con job going back at least as far as the Civil War, when poor white men were used as cannon fodder for the right of rich white men — I repeat: rich white men — to keep slaves. They were told they fought for state’s rights.

From then till now, the white poor have often been the front line of white supremacy. You think people with college degrees and six-figure salaries are out there marching around under pointy white hoods, burning crosses? Hardly.

My point is that race has often been used as a means of distracting and diverting the white poor. They had little in life, nor any realistic expectation of having more.

But the one thing they did have — or so the con went — was whiteness itself. Which meant they had someone to be better than. Someone to look down upon.”

Hearing this idea so clearly expressed reminded me of some of my favorite films that incorporated this theme: To Kill A Mockingbird, In the Heat of the Night, Monster’s Ball, Mississippi Burning.

It will be interesting to see how the GOP works this lever between now and November.

Michael Spooner

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A Google search led Mike Spooner (he goes by Michael these day) to this blog. I grew up with Mike, er, Michael, in Kennett, Missouri. He moved to Flint, Michigan, in 1964, did “some” college before getting drafted in 1969. Not a good year to get drafted. Following service he attended art college in Los Angeles and stayed for 28 years. From Michael’s bio:

“Michael Spooner has worked in the animation industry for twenty-five years with such notable studios as Walt Disney, Warner Brothers and DreamWorks. Michael’s professional career in art began in 1976, when he was invited to join the faculty at Art Center College of Design in Los Angeles, after graduating with distinction.  He taught for twelve years, simultaneously working as a freelance illustrator for clients that included the Public Broadcasting System, Zondervan Publishing House, Masda Motors, the National Football League, NBC Television, Paramount Pictures and Twentieth Century Fox.”

This sounds like a Brush with Near Greatness to me and I’ve asked Michael for an interview. Stay tuned.

He got lost for a couple of hours in our Flickr photostream and shares some photos from his stash. A couple of his Cub Scout pack; one of the KHS swim team; and one of the KHS junior high track team.

The swim team photo brought back fond memories of Diane West (far left). We dated a few times. She was 16 –and could drive– and I was still 15. She lived at the municipal swimming pool and exuded the intoxicating fragrance of chlorine.

It’s nice to hear from Mike and see a few long, lost photos from my youth.

“Waning Days of the Road Warrior”

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I hate air travel. Not “white knuckle” hate, but “hassle hate.” Fortunately I don’t have to do much of it any more. But lots of people in our company do and I feel for them. I also wonder how much of it is really necessary. Usually while playing with iChat and live video streaming.

Latest issue of Business Week has an article titled, The Waning Days of the Road Warrior (Why the current slowdown in business travel may not end when the economy recovers).

“For years, Irv Rothman, CEO of Hewlett-Packard’s Financial Services division, traveled at least once a quarter—top three lieutenants in tow—from his New Jersey base to HP’s Silicon Valley headquarters. After enduring Newark airport hell and six-and-a-half hours of stale, germy air, the team would arrive, strung out, to meet with their boss. For one hour. Then they would turn around and do the whole thing all over again.

The super surge in oil prices and resulting spike in airfares is just one reason companies are ordering their road warriors home. Factor in, too, the misery of modern air travel, which has de-glamorized the business junket. HR types also have a new appreciation for how the frequent-flier lifestyle can wreck executives’ health and family lives. And they have come to realize that jetting off for a one-hour meeting, while instinctual for corporate strivers, is rarely productive.

So, if managers aren’t flying to meetings, what are they doing? Using newfangled technology that is finally delivering the kind of Star Trek-y, space- and time-shifting experiences that tech executives have blabbered on about forever. Videoconferencing, Web-enabled meetings, online collaboration tools—all are giving workers the ability to dart around the globe from their desk chairs.”

The article reminded me of driving from Jefferson City, MO, to Dubuque, IA (9 hours?) to call on a station manager who really didn’t want to see me. To get the appointment I said something like, “All I need is a minute of your time.”

When I walked into his office and started take a seat, he reminded me that I had said I only needed one minute and that’s all that I had. So I stood there with my little briefcase in hand and told him what our network could do for his station. (I didn’t sign him up) Today I might have just sent him a Quicktime file or made my “pitch” via iChat. No less effective and a lot less costly.

Videoconferencing and related technologies really only work when both parties want to hear what the other has to say. How many meetings take place because it was the only way the “prospect” could get the sales rep to leave her the fuck alone? (Wonder if there’s any data on that)

These days, most of the people I deal with in remote locations want to talk to me and I want to talk to them. And, increasingly, they have the tech skills to do a quick face-to-face.

And if I need to send them a url or an image or any other kind of file for that matter, it’s easy to do.

Old Schoolers will talk about body language and non-verbal communication and “pressing the flesh” and all the other arguments for being in the same room.

We’ll talk again when that airline ticket to the coast is $2,000.

Flip Video Camera

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Yes, I am aware of how many video cameras I own. No, I do not need another one. I purchased a Flip video camera ($150.00) because I was so intrigued with the idea of a small, inexpensive camera designed to do just one thing.

They even did away with the USB cable and SD cards. You plug the Flip right into the USB port with a little… flip-out USB connector.

The one I got records an hour of video. I think the $100 model does 30 min. Check the website for specs.

Does the Flip take better video than my little Casio. Probably not. Is it as handy as a pocket on a shirt. Yes, indeedy, and it’s less than half the price.

I’m not sure what I’ll do with mine. I just wanted to see if this device is a cool as I’ve been hearing and reading. I think it might be. Toss it in your beach bag or your purse and go. Hit the red button and you’re recording. Makes the Sony Camcorder seem like a big old pain in the ass to lug around.

Flipcamera

Uses two AA batteries and works with Mac or PC.

Warning: You’ll hear me talking baby talk to our Golden Retrievers. Runs 90 sec.