“That sound in the wall was not good. That was no skittering mousy or even gallopy rat sound. That was something altogether different. Suddenly the vent that mysteriously bent open a while back seemed terribly ominous. I immediately ran and got several drywall screws and screwed it shut all cockeyed and cartoonishly like a crazy person.”
— From Nikol Lohr’s The Disgruntled Housewife
“Try not to puke. You may have to lay in it a long time.”
— Paul Newman to Martin Balsam in Hombre.
“Don’t tell people how to do things. Tell them what to do and let them surprise you with their results.”
–George S. Patton
One of my first posts was a quote from Lawrence Block’s Everybody Dies:
“When you die, it is said you see your whole life. But you don’t see it minute by minute, like a speeded-up film. It’s like everything you ever did in all your days was a brushstroke, and now you see the whole painting all at once.”
Poet Billy Collins has a different view:
I wonder how it all got started, this business
about seeing your life flash before your eyes
while you drown, as if panic, or the act of submergence,
could startle time into such compression, crushing
decades in the vice of your desperate, final seconds.
From The Art of Drowning
“And I said, I don’t care if they lay me off either, because I told, I told Bill that if they move my desk one more time, then, then I’m, I’m quitting, I’m going to quit. And, and I told Don too, because they’ve moved my desk four times already this year, and I used to be over by the window, and I could see the squirrels, and they were merry, but then, they switched from the Swingline to the Boston stapler, but I kept my Swingline stapler because it didn’t bind up as much, and I kept the staples for the Swingline stapler and it’s not okay because if they take my stapler then I’ll set the building on fire.”
— Milton from Office Space.
“I realized I was probably getting a better report than anyone watching television in the United States. It was more complete, more varied. In effect, I’d rolled my own news. It was a convergence of old and new media, but the newest component was my own tinkering to create my own news “product” — a compilation of the best material I could find. It was a pale imitation of what we’ll be able to do next year and in future races, but it worked.”
“Weblog software is going to be like mail servers. Lots of ways to deploy, every niche filled. For the masses, services like Yahoo, MSN and AOL. Blogging servers for corporations, inside and outside of the firewall. For schools, for the military, specialized systems for lawyers, librarians, professors, reporters, magazines, daily newspapers. The next President will have a blog. Writing for the Web, the prevailing form of publishing in the early 21st Century, will come in many sizes and shapes, flavors and styles. It won’t be one-size-fits-all. Open formats and protocols will make this possible.”
— Dave Winer on blogging
“When the men with the swords come, run away! Especially if they’ve got Bibles, too.”
— Neal Stephenson’s Quicksilver (pg 400)
“The whole “do not be evil” thing, and sort of a democratic approach to how information should be distributed and available for us. We’re all about giving anyone a voice, and Google’s all about finding out what’s important on the Web by what people link to and what people say.”
— Evan Williams (C|Net’s News.com)
“Tarantino’s love of movies is infectious. But what he loves about them isn’t their literary capabilities, the way they can show us people and events changing each other, and the rest of that important yada. No, QT loves their syntax, their rhetoric. And that’s what Kill Bill is great at: a samurai sword being re-holstered, a nod that launches an attack. It’s like a “That’s Entertainment” that shows not the greatest tap dance sequences in the history of movies but the greatest gestures.”