Imus was right

Thirty years ago (during my KBOA days) I was attending the annual meeting of the National Association of Broadcasters. Lots of big name talent on hand, including Don Imus and Robert W. Morgan. I spotted them sitting at the bar (the Mint Julip according to the bar napkin) and couldn’t resist going over, introducing myself, and asking for their autographs (I know, I know). They saw my name tag and asked me what station I was with. I assured them they’d never heard of it. Then Imus asked how long I had worked there.

“About ten years,” I said. To which Imus replied, “If you’ve stayed at one little radio station for ten years without getting fired or quitting, you’ll never go anywhere in this business. You should pack it in.”

Robert W. Morgan thought that was a little harsh and told Imus so. I made my escape. I thought about it many times over the years and Imus was right. There are a million small town radio guys who lack the talent or the ambition or both to make it to the Bigs. I’m proud to have been one of them.

Wal-Mart Super Centers, etc.

From a website called Scarf Creations:

“Mike Smith has been a Elvis fan since he was 3 years old, when he heard his dad’s 8 track of Elvis. Mike’s career started when he was 25 years old and he performed in Kennett, Missouri. Mike has performed throughout Missouri, Arkansas, Illinois and Tennessee… at private parties, nursing homes, charity events, country clubs, restaurants, Wal-Mart Super Centers, etc. I perform in three stages of “Elvis” from his wild suits, 68 leather , to his most famous jumpsuits.”

“Besides doing Elvis, Mike works full time for Pepsi Mid-America in Sikeston, Missouri. I have performed 75 shows in the 3 years of my career as an Elvis impersonator and my recent being “The Jailhouse Rock” in Illinois.”

Religious sites devoted to Elvis

“The number of religious sites devoted to the King is just staggering: Church of Elvis, The Eighth Day Transfigurist Cult, Elvis Sance, The Elvis Shrine, The First Church of Jesus Christ, Elvis, The Gospel of Elvis, Little Shrine to the King, and Oracle of the Plywood Elvis, and of course, The First Presleyterian Church of Elvis the Divine.”

The review above was written by Kimberly Villalba Wright. I’m pretty sure I don’t know Kimberly but according to the credits on the review, she “was born in Hollywood, Florida, and has spent most of her life in Mobile, Alabama. She earned a BA in English at the University of South Alabama in 1997. Her poetry has appeared in the Epiphany, Arrowsmith, Doggerel, Dicat Libre, El Locofoco, as well as Poetry Caf. This fall, Wright will begin working toward an MFA in creative Writing at the University of Memphis. Wright currently resides in Kennett, Missouri.”

Kimberly… I’ll be in town Christmas Eve. Let’s hook up, pound some Buds and remember The King.

We tune in by show brand, not station brand

From Tod Maffin’s upcoming editorial in Strategy Magazine about the future of television advertising, broadcasters, and the cable companies:

“…we’re at the end of the generation where people lock onto a station and keep with it for an evening. Today, our loyalty is to specific shows, not network or station brands. Nobody stays home to watch Fox TV; we watch Trading Spaces, then flip to This Hour Has 22 Minutes, then flip again. Digital television’s on-screen TV Guides and PVRs just reinforce the behaviour. We tune in by show brand, not station brand. ” [via Lockergnome]

Why Rush’s TV show flopped

Mark Whicker, writing for The Orange County Register, calls talk shows “a crack in the mirror of America. The reason that mudslinging works on the radio is simple: On the radio, Limbaugh is speaking to the dittoheads, the disciples who swallow everything. On TV, Limbaugh has to address the population as a whole.” [MercuryNews.com]

Sons of the Western Boohteel

“In August of 1990, I received a call from the organizers of the Hornersville Sesquicentennial Celebration. They were looking for cheap entertainment and wanted my barbershop quartet. Unfortunately (or fortunately, depending on your point of view), that quartet was defunct. What about cowboy songs instead?, I asked. Cowboy songs would be just fine.”

From The Secret Origins of The Sons of the Western Bootheel. I’ve created a little “fan page” although I’m not sure one performance qualifies me as a fan. Download and listen to some of the songs. The guys are pretty good and there’s a real honesty to thier music.