Apple Music Update

I’ve been a fan of Apple Music since its launch in 2015 and have posted here praising the curation process. I asked Gemini for an update:


(Gemini) Apple Music leans heavily on human curation as a point of pride, positioning itself as a “cultural curator” rather than just a data utility. While Spotify is known for its “Algotorial” approach, Apple’s editorial team is the backbone of their most prominent playlists. Here is a breakdown of the people behind the lists:

The Global Editorial Team

Apple employs over 1,000 curators globally. These aren’t just tech employees; they are largely recruited from the worlds of professional DJing, music journalism, and radio programming.

  • The Specialists: They are organized by genre and region. For example, the person curating a “K-Pop” playlist likely lives in or has deep cultural ties to Seoul, rather than a generalist working out of Cupertino.
  • The Task: Their job is to listen to thousands of tracks weekly. Unlike algorithms, they are looking for “narrative flow”—ensuring the transition from a high-energy track to a mellow one feels intentional and human.
  • The Philosophy: Apple’s internal mandate often focuses on “human emotion and cultural wisdom.” They prioritize songs that might not have the best “data” (skips/saves) but are culturally significant or represent a “vibe” the algorithm might miss.

High-Profile Tastemakers

You’ll often see names attached to specific radio shows or “Guest Curator” lists. These individuals influence the editorial direction of the broader playlists:

  • Zane Lowe & the Radio Team: As the Global Creative Director, Lowe (formerly of BBC Radio 1) oversees much of the “tone.” His team includes veteran broadcasters like Ebro Darden (Hip-Hop/R&B) and Matt Wilkinson.
  • External Partners: Apple also allows “Brand Curators” to maintain profiles. These include publications like The Independent, Pitchfork, or Rolling Stone, and labels like Numero Group or XL Recordings.

How They Work With “The Machine”

The process is a feedback loop. While the human editors pick the “Flagship” tracks for playlists like Today’s Hits or Rap Life, they use data to see if their “gut feeling” was right.

  • If an editor places a song at #1 and users skip it 80% of the time, the data tells the editor to move it.
  • Conversely, the human editors provide the “high-authority signals” that the algorithm then uses to populate your personal Discovery Station or New Music Mix.

You won’t usually find an individual’s name on a standard Apple-branded playlist (e.g., Pure Throwback). However, if you look at the bottom of a playlist description, Apple often credits the curator if it’s an external partner. For internal lists, the “voice” is kept anonymous to maintain the Apple brand identity.

Don’t buy a Honda Element

Watch on YouTube

I’ve been watching a lot of videos about the Honda Element in anticipation of getting one of my own in a couple of weeks. This is not a “how to” video, rather a semi-gushy tribute to the vehicle. Don’t miss the lyrics to the soundtrack.

UPDATE: Fans of the Honda Element have produced songs about the vehicle. I’ve found three so far (Objective Garage)

Box On Wheels

Everything It Has Got

In My Element

Microphones

Nothing is more emblematic of the Golden Age of Radio than the microphones of that era. I asked ChatGPT to identify a few that were used at KBOA.

RCA 77-M (early) or RCA 77-A / 77-B variant. This is an earlier RCA 77, before the D / DX refinements. These were extremely common in regional stations transitioning from prewar gear.

Shure 55A or 55B (pre-“Elvis” Unidyne). This is the earlier Shure 55, before the iconic chrome “Elvis” look (the 55S). Radio stations used these constantly in the late ’40s–early ’50s. Key tells:

  • End-address (announcer speaking into the top)
  • Horizontal grille rings
  • Small-diameter cylindrical body
  • Cable exiting low, angled

RCA 44-BX ribbon microphone. The 44-BX was the mic for Groups, Music, Dramatic readings, Anything needing that huge ribbon warmth

What happened to radio?

The post below was written by ChatGPT5.1. This is not the first time I’ve done this and it is always with some trepidation. But this analysis is so on-the-money I couldn’t think of what I might add. I hope this wasn’t ripped whole-cloth from somebody’s article or blog post. If it is I’ll kill this post or give it the proper attribution.

Radio didn’t die so much as it ossified, while listeners moved on. But there’s more texture to it, and I think you’ll appreciate seeing the forces that pushed it downhill—and the narrow paths it might still have back up the mountain. Here are the big levers, in order of impact: Continue reading

The most common items people leave behind in rental cars

I love my old vehicles but anytime I have to go out of town and be certain of getting to my destination, I rent. The guys at Enterprise know and love me. While waiting to turn in my keys this morning one of the Enterprise kids was on the phone to someone who had left not one, but two garage door remotes in the rental. When he finished the call I asked what is the strangest thing he has found in a rental. Continue reading

The demise of “Hometown Radio”

Like a lot of small town radio stations, KBOA billed itself as “Hometown Radio.” And it was truly that. My father worked in small town radio for most of his career and I was lucky enough to be part of it for a dozen years (1972-1984).

I spent most of the next dozen years doing affiliate relations for a company that operated regional radio networks throughout the Midwest. It was during this time I witnessed the beginning of the end for small market radio. GPT-5 does a pretty good job of explaining what happened: Continue reading

Apple Music “All Time”

When I fired up the Apple Music app this morning I was greeted with a new playlist. “In honor of Apple Music’s first decade, take a look back. Relive your all-time favorite tracks, all in one playlist.” 100 songs that will take 7 hours and 10 minutes to listen to. And a great playlist it is. (If you’re an Apple Music subscriber that link will take you there)

Apple Music launched on June 30, 2015 and I did my first blog post on July 2. I was immediately taken with Apple Music and have happily paid $109 a year for the service. While I did not have a massive collection of albums and CD’s, I gave them away shortly after subscribing to Apple Music and have never regretted the decision. In the ensuing ten years Apple Music has “learned” my musical preferences and created better playlists than I could have.

How to Surf the Web in 2025

Editor’s Note: I’m sharing so much of this post because it’s all good and I don’t have the skill to adequately summarize. I encourage you to “surf” to the full post.


“Just as it’s still possible (though seldom necessary) to ride a horse, it is still possible to surf the internet. It’s a thrill not yet lost to time.

By “surfing the internet” I don’t just mean going online. I mean exploring the internet solely by following hyperlinks from page to page, with no clear destination except for that one wonderful, as-yet-unknown website that will amaze and enthrall you when you find it, the one that will seem like it’s been waiting for you your whole life and which you can’t get enough of.

To surf, you must begin on a normal website with outbound links, and avoid all the algorithm-driven thoroughfares (Reddit, YouTube, X, any “apps”) that direct most of today’s internet traffic. You also have to be on a real computer, not a phone. If you end up on social media, you’re no longer surfing.

Younger readers may not even know that the internet used to be made entirely of websites, created by human beings, connected only by hyperlinks. Hyperlinks served as signposts, hand-placed by other humans, to point fellow travelers to unique locations they would not otherwise have known about. There were no corporate-owned thoroughfares, just many pathways shooting off from each clearing, marked by these handmade signs, beckoning you onward to some other place in the wilderness.

This internet, of the late 90s to early 2000s, offered a completely different sensory and emotional experience than today’s. To switch metaphors slightly, the old web felt like an endless city of conjoined, wildly decorated apartments, to be traversed by climbing through little chutes and portals in their walls. Each one sent you straight to some other eccentric space, built by some other eccentric character, each with its own array of chutes radiating out from there.

Surfing through this structure was characterized feelings of wonder and abundance. Just beyond that next portal was possibly something you’ve never seen. You were zipping around the universe, discovering things you didn’t know were even a thing, and the universe was expanding.

This era ended when we weren’t looking. In 2018, I came across an article that gave me a lump in my throat. It was titled I Don’t Know How to Waste Time on the Internet Anymore by Dan Nosowitz. He described a moment in which he was bored at work, tried to surf the internet, and realized he didn’t know how to do that anymore.

I realized then that I didn’t either, and hadn’t for a long time. Our online behavior, by that point, had been captured by big platforms that initially served as portals into that endless ramshackle apartment complex, but had at some point became the entire visible landscape. To “go online”, instead of typing in your favorite websites (fark.com, Digg, LiveJournal) and leapfrogging from there, people started going to their “home” on Facebook or Reddit and ended up wherever they were pointed to, which was usually another place inside Facebook or Reddit. The ethos had become capture-and-retain, rather than swing-by-and-say-hi. Open-water internet navigation – surfing – quietly went away, as these platforms designed slicker and more magnetic engagement routines for us.

While it will never be a habit again for most people, you can still surf the internet. You can pick a website with a lot of outbound links (they do still exist) and follow your heart.”

Media: A defining layer of human identity

The following is from Distrust That Particular Flavor, a collection of William Gibson’s articles, talks and book forwards.

“I belong to a generation of Americans who dimly recall the world prior to television. Many of us, I suspect, feel vaguely ashamed about this, as though the world before television was not quite, well, the world. The world before television equates with the world before the Net—the mass culture and the mechanisms of Information. And we are of the Net; to recall another mode of being is to admit to having once been something other than human.”

William Gibson is my go-to guy for the techno-future. As she always does, ChatGPT offered fascinating insights on “having once been something other than human.” Continue reading