Category Archives: Film & TV

Watchmen: Great music, great special effects and garter belts

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I liked so many things about Watchmen, I’m not sure where to begin. Since it’s sure to be compared to other “super hero” films, I’ll start by saying it made Batman and Spiderman and X-Men and all the rest look like Saturday morning cartoons.

The movie critic for People Magazine called the dialogue stilted. I found it tongue-in-cheek David Mamet. A few of my favorite lines don’t do justice to the writing:

  • Hitler was a vegetarian. If you’re squeamish, leave him to me.
  • Only what can happen, does happen.
  • The existence of life is a highly overrated phenomenon.
  • I’m sorry, but you’re in the way of my revenge.
  • I’m not locked in here with you, you’re locked in here with me.
  • It’s too late. Always has been, always will be.
  • What happened to the American dream? It came true.

And the sex? One steamy scene was the hottest thing I’ve seen since Billy Bob did Halle in Monster’s Ball. And there were more garter belts than a 50’s porn movie. But it all worked.

There was lots of action. I thought the fight scenes were every bit as good as what we saw in The Matrix. And there was no shortage of gore. Very graphic. Like the language. This is the movie your mom didn’t want you to see but all the kids are talking about.

And the soundtrack alone was worth the six bucks. It opened with Nat King Cole’s Unforgettable and slid into Dylan’s The Times They Are A-Changing. And before the nearly 3 hour film (2:40) was over, we hear Simon & Garfunkel, Janis Joplin, Billie Holiday, Leonard Cohen and Jimi Hendrix.

I spotted Matt Frewer (Max Headroom) in a small part but didn’t recognize Bill Crudup (Almost Famous) as Dr. Manhattan.

I really enjoyed this movie.

UPDATE: My friend Bob commented that he’s unfamiliar with David Mamet. Three of my favorites (he wrote the play/screenplay) are: The Verdict (Paul Newman); Glengarry Glen Ross (all-star cast); and House of Games. I just happen to like the way Mr. Mamet writes dialogue.

Burma VJ: “I was filming when the soldiers came.”

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Thanks to Melody and Nathan for treating us to the powerful documentary Burma VJ, part of Columbia, MO’s True/False Film Festival.

“A tense suspense thriller in the guise of a new-form political documentary, begins in 1988, when Burma’s military junta brutally shot and killed 3,000 demonstrators, imprisoned opposition leader Aung San Suu Kyi, and outlawed independent journalism. In the years since, the Democratic Voice of Burma, a “television station in exile,” has begun sneaking images of the repression out of the country. Using cheap handicams, cell phones, short-wave radio and satellite feeds, the DVB transmits startling footage across the globe, fueling international outrage against the totalitarian government. When the nation’s Buddhist monks decide to take to the streets in September 2007, joined by tens of thousands of students, the DVB was there, allowing the world to watch both this event and its brutal aftermath. A testament to the courage of journalists and a cautionary tale for dictators, Burma VJ is truly inspiring.”

Nathan figured I’d enjoy this film because he reads this blog and knows I’m interested in journalism/media/video. And he was right. This story grabbed me from the beginning.

If I could ask one of the generals who control Burma just one question, it would be: Which is the greater threat to your dictatorship, guns or video cameras?

At the end of the film, the director, Anders Ostergaard, talked about the film and the audience was invited to donate money that would be used to buy more and smaller cameras for the DVB (smaller cameras are less likely to be discovered).

I take for granted that I can take a photograph, shoot some video or make an audio recording in any public place. And then publish it here for the world to see. I’ll try to remember there are others risking their lives and freedom to do so. One of my favorite lines from the film: “Those who are not afraid to die,come to the front.”

I assume Burma VD will be available on DVD, if it’s not already. I encourage you to watch it.

“We are the Arabs!”

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“In the 1980 film “The Formula,” George C. Scott plays a detective who uncovers a plot to kill anybody with knowledge of a secret Nazi formula for a synthetic fuel. The bad guy in the film is Adam Steiffel, the Chairman of Titan Oil, played by Marlon Brando. The two meet on Steiffel’s patio, where the oil mogul is enjoying breakfast, and the scene produces a couple of memorable lines in a case of art imitating life.

“You’re not in the oil business; you’re in the oil shortage business,” Scott says to Brando. An aide to Brando’s character races to the table with news of price activity by the Arab states, to which Brando’s character responds, “You idiot, we ARE the Arabs!”

— Terry Heaton

Slumdog Millionaire at the RagTag Cinema

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Slumdog Millionaire is the story of how an impoverished Indian teen became a contestant on the Hindi version of “Who Wants to be A Millionaire?” This is a love story and a good one. But that description sells it short. It’s just a great story, well-told. It’s based on the novel Q and A by Vikas Swarup. [Trailer]

We saw the film at the RagTag Cinema in Columbia. Our first time there. The “theater” had about 80 or 90 seats, most of which were unmatched office chairs (not the swivel kind). I’m guessing the screen was about 10 by 25 feet.

Before the film, a young man came out and made a few announcements about upcoming films. All very casual. Some folks were drinking wine, others had a beer. There’s a bar in the lobby.  [Quote from their website: “A theater without beer is just a museum.” – Bertolt Brecht]

And I didn’t see/hear one screaming child. This was a much better movie experience than we’re used to. I’m sure we’ll go again.

Another Bourne movie

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The three Jason Bourne films, starring Matt Damon, are near the top of my list. Sort of hoped they wouldn’t push their luck and try for a fourth. But since the first three grossed more than $1 billion, Universal Pictures has signed Damon and director Paul Greengrass for another one, scheduled for summer 2010 release.

MGM got the rights to The Matarese Circle, another Ludlum Cold War thriller with Denzel Washington, due to begin production next year. And Paramount has the rights to The Chancellor Mansuscript, with Leonardo DiCaprio.

Dwight Schrute on how to deal with the elderly

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“Unfortunately, humanity seems to lack the backbone to demand that the elderly continue to contribute until they terminate. Instead we both indulge their laziness and demean them, locking them away in retirement homes while they slowly rot in a medicated stupor. The thought seems to be, the elderly, like most minority groups, enjoy being grouped together in a designated living area. But what if we stripped them of their pills and deprived them of their Rascal scooters, perhaps the elderly would stand up and face death like a man: head on, in a battle royal. Win or lose, they’d be more alive than they are now, even if the exertion caused them to cease living.”

Deadwood kidney stone scene

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Back in 2005 I posted a link to a clip from the HBO series, Deadwood. In this episode Al Swearengen (Ian McShane) is sick as a dog from a kidney stone. So sick he cannot speak. Doc Cochran is about to surgically remove the stone (which could kill Al) but at the last minute, they opt to let Al try to pass the stone, with help from Johnny, Dan and Trixie.

Bonus clip: I’m thinking of putting this on my answering machine (6 seconds)

Excellent interview with David Milch (The New Language of the Old West)