Bangkok Haunts

“(You) think the Western mind is some Frankensteinian product of a botched religion and a bunch of ancient Greek pedophiles, the same unholy combination of schoolboy logic, lust for blood and glory, we-know-best, and destroy-to-save that slaughtered three million in Vietnam, most of them women and children, all in the name of freedom and democracy, before we ran away because it got too expensive.”

“Modernism is largely a form of entertainment, and a superficial one at that. It doesn’t survive environmental disasters or oil shortages. It doesn’t even survive terrorist attacks. It certainly doesn’t survive poverty, which is the lot of most of us. One flick of a switch, and the images fade from the screen. […] Confusion seeks relief in bigotry, which leads to conflict. One high-tech war, and we’re back to the Stone Age.”

— Bangkok Haunts (2007) by John Burdett

The Dictionary of Obscure Sorrows

(Wikipedia) “The Dictionary of Obscure Sorrows is a website and YouTube channel, created by John Koenig, that coins and defines neologisms for emotions that do not have a descriptive term. The dictionary includes verbal entries on the website with paragraph-length descriptions and videos on YouTube for individual entries. The neologisms, while completely created by Koenig, are based on his research on etymologies and meanings of used prefixes, suffixes, and word roots.”

I shared a few of these five years ago and must have gotten them from the website. Don’t think I knew about the YouTube channel. I purchased the book (PDF) recently and find myself highlighting about every third entry. Have to give that up.

“It’s strange how little of the world you actually get to see. No matter where on Earth you happen to be standing, the horizon you see in the distance is only ever about three miles away from you, a bit less than five kilometers. Which means that at any given time, you’re barely more than an hour’s walk from a completely different world.”

“ But if someone were to ask you on your deathbed what it was like to live here on Earth, perhaps the only honest answer would be: “I don’t know. I passed through it once, but I’ve never really been there.”

“In philosophy, monism is the belief that a wide variety of things can be explained in terms of a single reality, substance, or source. Onism is a kind of monism—your life is indeed limited to a single reality by virtue of being restricted to a single body—but something is clearly missing.”

“sonder: the realization that each random passerby is the main character of their own story, in which you are just an extra in the background.”

Men in masses, and of causes

“I have had such a sickening of men in masses, and of causes, that I would not cross this room to reform parliament or prevent the union or to bring about the millennium. […] And I have nothing to do with nations, or nationalism. The only feelings I have – for what they are – are for men as individuals; my loyalties, such as they may be, are to private persons alone.”

Master and Commander (Patrick O’Brian)

Knowledge

“Knowledge will get you through times of no money better than money will get you through times of no knowledge.”

“Knowledge is inherently precious even if you can’t sell it,” Greta said. “Even if you can’t use it. Knowledge is an absolute good. The search for truth is vital. It’s central to civilization. You need knowledge even when your economy and government are absolutely shot to hell.”

— Bruce Sterling’s Distraction (1998)

Analysis by Perplexity »

It is the Tao

“He, like everyone else, […] is exactly where, exactly what, exactly when he is meant to be. It is the Tao.”

I’ve lost count of how many times I’ve read William Gibson’s All Tomorrow’s Parties but that line didn’t hit me until I came across it today. Timing, right? American democracy on the ropes. Millions dead/dying from a global pandemic. The planet gasping for breath. And here I am, exactly where/what/when I was meant to be. Seriously, this is the most peaceful I’ve felt in months.

Termination Shock

Set in the near-ish future, Neal Stephenson’s latest novel (Termination Shock) charts a world gone haywire with the aftereffects of human-driven climate calamity. Like the last couple of novels I’ve read, it incorporated COVID into the storyline as well as the January 6th insurrection.

“…before you knew it there was a white guy in red-white-and blue war paint sacking the U.S. Capitol in what the media described as some kind of Viking getup but Rufus knew perfectly well was a Plains Indian-style bison headdress. And just like Comanches with their raids, those people didn’t stick around and try to plant their yellow rattlesnake flags on the Capitol dome. They just wandered off, having counted coup on democracy and taken a few cop scalps, and melted back into their nomadic trailer park encampments.

This excerpt reminded me of some of his descriptions in Snow Crash.

William Gibson’s drones

Yesterday’s drone flight has me in a drone state of mind. My first (of 25) blog post mentioning drones was in 2005, but some of those are references to military drones so not sure when I became aware of consumer drones. Last night I started reading (for the 10th time?) William Gibson’s 1988 novel, Mona Lisa Overdrive and found this passage:

“She was accompanied, on these walks, by an armed remote, a tiny Dornier helicopter that rose from its unseen rooftop nest when she stepped down from the deck. It could hover almost silently, and was programmed to avoid her line of sight. There was something wistful about The way it followed her, as though it were an expensive but unappreciated Christmas gift.”

The man has been incorporating drones into his stories for 30+ years. And this might not be the first instance.

“War is cruelty and you cannot refine it.”

I recently finished Battle Cry of Freedom by James M. McPherson, considered by many the best single-volume history of the American Civil War. I wouldn’t know where to begin to tell you how much I enjoyed this book. We all know how the story ends, right, but I was on the edge of my seat till the final page. The mark of a truly great story-teller.

We all know about Union general William T. Sherman’s burning of Atlanta and his “march to the sea.” My simplistic Hollywood understanding of that chapter in the war was changed by this book, especially by this excerpt from Sherman’s memoirs.

“War is cruelty and you cannot refine it,” Sherman had told Atlanta’s mayor after ordering the civilian population expelled from the occupied city. But “when peace does come, you may call on me for anything. Then will I share with you the last cracker.” Until then, though, “we are not only fighting hostile armies, but a hostile people, and must make old and young, rich and poor, feel the hard hand of war.” Union armies must destroy the capacity of the southern people to sustain the war. Their factories, railroads, farms—indeed their will to resist—must be devastated. “We cannot change the hearts of those people of the South, but we can make war so terrible . [and] make them ‘so sick of war’ that generations would pass away before they would again appeal to it.”

Memoirs by William T. Sherman

The passage reminded me of a passage from a novel by Robert K. Tanenbaum:

“Peace is best. You should make every sacrifice to secure peace. When you absolutely must go to war, however, you must try to kill all the enemy you can as quickly as you can, holding nothing back, until they have surrendered or you have been defeated utterly. It is a great fraud to think otherwise and it prolongs the agony. It would be better if people said, if we fight, we are going to boil babies in their own fat and blast the skin off nice old ladies, so they die slowly in great pain, and we are happy to do this, because what we fight for is so important. And if they conclude that it is not as important as that, then they should fight no more.”

— Robert K. Tanenbaum, Act of Revenge

War as video game

America’s Army is a video game “conceived by Colonel Casey Wardynski, the Army’s Chief Economist and a professor at West Point, the idea was to provide the public with a virtual soldier experience that was engaging, informative, and entertaining.” I got curious about this when I started seeing recruiting videos on some cable channels.

Not suggesting there is anything wrong with this approach, just that it got me thinking about what motivates a young man or woman to enlist in the military. Sebastian Junger alludes to this in his 2010 book, WAR.

“War is a lot of things and it’s useless to pretend exciting isn’t one of them. It’s insanely exciting. The machinery of war and the sound it makes and the urgency of its use and the consequences of almost everything about it are the most exciting things anyone engaged in war will ever know.”

“War is supposed to feel bad because undeniably bad things happen in it, but for a nineteen-year-old at the working end of a .50 cal during a firefight that everyone comes out of okay, war is life multiplied by some number that no one has ever heard of.”

So, is it “defending the homeland,” or the rush of surviving a firefight? Or something far more complicated?