Will everyone need a web page?

WSJ’s Jason Fry wonders if we’re getting closer to the day when everyone will need a web page. He starts with the question of how we’re to find each other in a rapidly evolving future.

“…landlines are disappearing, yet there’s no “white pages” for cellphones. And we don’t want one — the rise of email, IM and other forms of messaging have transformed the phone call into an intrusive way to communicate, best reserved for certain situations between people who already have a relationship. Which is fine, but raises the issue of how we’re supposed to get in touch with people we don’t already know. The most likely solution to the problem is a single point of contact, with additional levels of contact information unlocked by us as we deem appropriate. A Web page — whether it’s on an outpost such as Facebook or LinkedIn or a site built out with communications tools — can serve that function pretty well.

A personal Web page is an opportunity to tell your story and balance out other narratives that you can’t control.”

I found this piece very interesting. When I google “steve mays” I want this blog to show up on the first page of results. Ego? Sure, for now. And it will probably never have financial or business implications for me but that might not be true for a twenty-something.

“Anonymity encourages irresponsibility”

“The blogs… the good news and bad news about blogs. First the bad news. The bad news is anybody can say anything about someone and they don’t even have to put their name on it. In fact, the anonymity encourages irresponsibility. And it is pretty frustrating, I’ll be honest with you, that’s why I just stopped reading this stuff a long time ago.

“The good is, when there are allegations made, in any variety of formats, there are people who know the facts, and step forward, and correct the facts. People who put their name on it and correct.”

— Sen. James Webb on bloggers

Generation Kill (Part One)

Watched the first installment of the new HBO mini-series, Generation Kill last night. Had very high expectations for this series because it was written and produced by the same team that gave us The Wire. I was disappointed. I thought much of the dialogue was lame. And I was bothered by what felt like ham-handed anti-war propaganda. On a deeper level, I hope it was propaganda. Because the alternative is pretty scary. I think I have to watch the entire series before forming an opinion.

[Quick Google search]

From SeattlePI.com: Perhaps the acid test was last Wednesday night on the eve of HBO’s presentation to TV critics at the ongoing press tour.  The producers and cast screened part of the miniseries for several hundred Marines at the Southern California base of Camp Pendleton.

Technical adviser Eric Kocher, who served in the First Recon Battalion and appears on screen in the miniseries, said what he heard most often was that “the dialogue is excellent. It hits exactly the way Marines talk, and then the atmosphere is visually what you see, what you hear in the background. Everything is it. It hits Iraq.”

Well, there you go. I think maybe I expected some kind of Band of Brothers/The Wire mash-up. Different war, different time, different part of the world.

KETC tour of Missouri State Penitentiary

I took a tour of the Missouri State Penitentiary in Jefferson City, before the inmates were moved to a new facility in 2004. KETC (St. Louis) producer Patrick Murphy took a tour and produced this excellent video.

By 1935, the penitentiary it was the largest prison in the United States with 5,000 inmates. I can’t explain my fascination with prisons, but as a result of my tour of the prison here in JC, I created MissouriDeathRow.com.

Pandora: “Game over for music radio”

“Terrestrial radio is in bigger trouble than ever, I am convinced. I just finished driving down a highway in rural (state), listening to streaming music on the free Pandora Radio app for my upgraded version 2.0 iPhone. This was via edge, not 3G. Pandora plays randomized songs. But when an all-you-can-eat music service (maybe Apple’s, someday) has this same kind of app, it’s game over for music radio.  I’ll be able to listen to any song I want while driving, and won’t even have to load it on my iPod before leaving.

If you are unfamiliar with Pandora, it works like this: I enter the name of a song or artist. Pandora creates a “station” that plays music like the example I submitted. I “like” or “dislike” each song and Pandora keeps tweaking my play-list accordingly. I can have as many stations as I choose. Just music. No annoying DJ’s. No commercials.

If I’m the program director of an “only the hits” radio station, should I be concerned about this technology? I can’t please all the people, all the time. But all of the people can please themselves, all of the time. What is my Plan B?

“The slow swarm of spinning things” (Count Zero)

The Sprawl trilogy is William Gibson’s first set of novels, composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988). One of the “characters” in Neuromancer is Wintermute, “one-half of a super-AI entity.” On page 274 of Count Zero, we find a description of Wintermute creating art.

Cornellbox“She caught herself on the thing’s folded, jointed arms, pivoted and clung there, watching the swirl of debris. There were dozens of the arms, manipulators, tipped with pliers, hexdrivers, knives, a subminiature circular saw, a dentist’s drill … They bristled from the alloy thorax of what must once have been a construction remote, the sort of unmanned, semiautonomous device she knew from childhood videos of the high frontier. But this one was welded into the apex of the dome, its sides fused with the fabric of the Place, and hundred of cables and optic lines snaked across the geodesics to enter it. Two of the arms, tipped with delicate force-feedback devices, were extended; the soft pads cradled an unfinished box.

Eyes wide, Marly watched the uncounted things swing past.

A yellowing kid glove, the faceted crystal stopper from some vial of vanished perfume, an armless doll with a face of French porcelain, a fat, gold-fitted black fountain pen, rectangular segments of perf board, the crumpled red and green snake of a silk cravat … Endless, the slow swarm of spinning things…”

I love the image and I love the idea of an artificial intelligence creating art. In this story, futuristic Joseph Cornell style boxes.

Hoot Owl

Owl200I’m trying to be more aware. To see where I am and the beauty that surrounds me. Standing in the back yard, waiting for Lucy and Ripley to find that perfect spot, I spotted an owl in a big oak tree. A rarity.

I was struck by this guy/gal’s size. And when he blinked (do owls blink?), he looked… thoughtful. Very aware if his surroundings. Sorry the image isn’t better. Some shots are just beyond the little Casio.

How big is the company I work for?

A rather colorful description in this story –about one of our sports properties– in the Fresno Bee:

“Fresno State doesn’t just do its own deals any more. It has a company called Learfield Sports for that. Learfield is slightly bigger than Greenland and the ozone layer combined. Learfield pays Fresno State a flat rate to sell its “multimedia rights.” Fresno is one of nearly 50 schools that lets Learfield handle its radio rights, TV rights, even the signs hanging in Bulldog Stadium.”

Is that what they call a mixed metaphor?