“It’s hard to explain, but, for me, just aiming a speelycaptor (video recorder) at something doesn’t collect what is meaningful to me. I need someone to gather it in with all their senses, mix it round in their head, and make it over into words.”
— ANATHEM (Neal Stephenson)
Apple introduced the iPad in 2010. Does the following excerpt from Neal Stephenson’s novel, Cryptonomicon (punished in 1999) sound familiar?
“Here’s how it works. You are an Overseas Contract Worker. Before you leave home for Saudi or Singapore or Seattle or wherever, you buy or rent a little gizmo from us. It’s about the size of a paperback book and encases a thimble-sized video camera, a tiny screen, and a lot of memory chips. The components come from all over the place—they are shipped to the free port at Subic and assembled in a Nipponese plant there. So they cost next to nothing. Anyway, you take this gizmo overseas with you. Whenever you feel like communicating with the folks at home, you turn it on, aim the camera at yourself, and record a little video greeting card. It all goes onto the memory chips. It’s highly compressed. Then you plug the gizmo into a phone line and let it work its magic.”
“The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder — its DNA — xerox it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines.”
— Snow Crash
I’ve lost count of how many times I’ve read this book but discover something new each time I pick it up. I like Stephenson’s female characters. Always smart and strong. Y.T. the skateboard courier in Snow Crash; Eliza in The Baroque Cycle; and Zula in REAMDE.
Same goes for William Gibson: Molly Millions (Neuromancer and Mona Lisa Overdrive); Angie Mitchell (Count Zero); Chevette Washington (Virtual Light and All Tomorrow’s Parties); Cayce Pollard (Pattern Recognition); Hollis Henry (Spook Country and Zero History); and Flynne Fisher (The Peripheral).
“Snow Crash will be a one-hour drama. A product of the early 1990s, it’s set in a failed state that used to be America, where the corporations run everything. It too has a vast artificial location, but this time it’s the Metaverse, Stephenson’s extrapolation of a VR-enabled Internet. Hiro Protagonist—an on-the-nose name if ever there was—is a hacker and pizza delivery driver for the Mafia who comes into possession of dangerous file, Snow Crash, which sends him on a rabbit chase.”
Amazon commissions three new sci-fi shows: Lazarus, Snow Crash, and Ringworld
I really wanted to like this book. Neal Stephenson has written some of the best stories I’ve ever read and I’ve read most of them two or three times. And how can I say I read 740 pages and didn’t enjoy the book? At least a little.
But it just did not work for me. Maybe it was the witches and time travel. Maybe it was writing with a co-author (Nicole Galland). I don’t think I’ve ever read a book written by two people that I really enjoyed. Wait! Not true! James S. A. Corey, the pen name of authors Daniel Abraham and Ty Franck. I love the Expanse series. But I can’t think of any others off the top of my head.
I struggle with the paradoxes inherent in stories about time travel. I appreciated the premise of Memento and Loopers but my mind kept drifting as I tried to work out the time stuff. No such problem, however, with William Gibson’s The Peripheral.
On a scale of 1 to 5 (with Cryptonomicon and REAMDE being 5’s), I’d rate this latest book a 3. Maybe. I do hope you enjoy(ed) it more than I.