Seeing the music (Playing for Change)


There is something deeply satisfying about watching talented musicians, as opposed to just listening to the music. This occurred to me while watching the Playing for Change videos, especially the “live outside” performances, which I find far more moving and satisfying than the highly produced ‘music videos’ that a big record label might create for a popular artist.

I got a brief glimpse of this a few years ago when I visited John Walkenbach and Bisbo Nian. I got to watch each of them jamming with with some of their musician buddies and came away thinking it was more than just playing their instruments. It was playing with other musicians. One of those sum-of-the-parts things.

In conclusion, I’m wondering if our brains process music differently if we’re watching the musicians. I assume different parts of the brain will “light up” in response to the visual but what I’m wondering is are we hearing differently when we see the music being made. This seems like a question that should have been asked and answered.

This is why I love Apple Music

You know I love my Apple Music playlists. And have wondered aloud who puts these together. Steven Levy wondered the same thing:

“Who are those editors putting the playlists together? It turns out they are music nerds who might have otherwise been displaced by technology. People from radio; people who used to work at publications; people who used to work at record companies — hard core passionate music people. They check in to work at offices in Cupertino or LA (though a few work remotely) and perform curation tasks that include making those playlists, which they draft and discuss in meetings that must be more fun than the ones at your job. The important thing is that they are human beings. Apple believes that only flesh-and-blood music lovers can properly select and format these lists, artfully making the segues from one tune to the next.”

“They are very much like those cosmic deejays in the early days or FM, or today’s superstar spinners at Las Vegas casinos and high end clubs everywhere. But without a direct channel to communicate with the audience — no microphone to explain yourself between blocks of song — it’s a weird kind of communication they have with their audience. […] After listening to a lot of these playlists, I feel I almost know whoever it is at Apple who specializes in Americana, Blues, and 60s rock.”

Apple Music has a Connect feature where fans can ‘connect’ with their favorite artists. I have zero interest in doing that but would love to connect with the people who create the playlists.

City of New Orleans


I’ve been looking for a project where I could try a video-on-video effect I like. I had some suitable background video from my 24 Hours of Amtrak Hell and this song is one I like. Ideally I would have waited until I was more proficient with the song but I’ll be 68 in a couple of weeks so we go with what we got. (This was easier than I expected, mostly because I used Screenflow instead of iMovie.)