The Beatles: Get Back

“What’s startling about “Get Back” is that as you watch it, drinking in the moment-to-moment reality of what it was like for the Beatles as they toiled away on their second-to-last studio album, the film’s accumulation of quirks and delights and boredom and exhilaration becomes more than fascinating; it becomes addictive. We’re there in the studio, right alongside the Beatles, seeing — living — what they do. There are moments when “Get Back” meanders (at a certain point in Part 3, you may feel like you never want to hear “Don’t Let Me Down” or “Let It Be” again). Yet even the repetition is part of the documentary’s experiential quality. As you soak up the film in its totality, it become moving and momentous. “Get Back” is a long-form portrait of the dissolution of the Beatles and the togetherness of the Beatles.” — Variety review of Peter Jackson’s 8 hour documentary.

If you weren’t a fan I doubt you’d enjoy this. The Beatles exploded in 1962 and flamed out in the late sixties, neatly covering my high school and college years. A big musical influence in my golden years. (Good article on which US radio stations played The Beatles first)

Live Streaming Star in China

From the New York Times: “Over the past year, as Covid-19 has severely limited our ability to interact with the world beyond our front door, livestreams have helped transport us to places we couldn’t visit, people we couldn’t see and events we couldn’t attend. In China, live streaming services command an audience of nearly 560 million, with streamers broadcasting to devoted followers who tune in every night. Successful live streamers can earn thousands of dollars each month in direct donations from fans, and those at the very top earn millions from brand sponsorships and major contracts. In the short documentary above, we enter two agencies that scout promising newcomers and mold them into high-earning stars. But what’s it like working for a company that engineers every aspect of your life — and then requires you to livestream it all day?”

Not sure which I found more frightening… the lives of the “stars” or their fans.

The Beatles: Get Back

Peter Jackson has released a “sneak peek” at his COVID-delayed documentary, The Beatles: Get Back. He stresses this is not a trailer or a sequence, rather a “montage” to give you a feel for “the spirit” of the film. Can’t imagine where or how he come up with 56 hours of “never before seen” footage of the band.

The Beatles hit the U.S. airwaves in February of 1964 (“I Want to Hold Your Hand”). I was a sophomore in high school and I won’t even try to tell you want a big deal this was. Nothing even close in the 50+ years since.

The Beatles broke up in 1969 so they provided the soundtrack for my high school and college years. I am really looking forward to this documentary. PS: It sure looks like they were having fun.

Did Buddy Emmons perform at KBOA?

According to Wikipedia, Buddy Gene Emmons (January 27, 1937 – July 21, 2015) “was an American musician who is widely regarded as the world’s foremost pedal steel guitarist of his day. He was inducted into the Steel Guitar Hall of Fame in 1981. Affectionately known by the nickname “Big E”, Emmons’ primary genre was American country music, but he also performed jazz and Western swing. He recorded with Linda Ronstadt, Gram Parsons, The Everly Brothers, The Carpenters, Roger Miller, Ernest Tubb, John Hartford, Little Jimmy Dickens, Ray Price, Judy Collins, George Strait, John Sebastian, and Ray Charles and was a widely sought session musician in Nashville and Los Angeles.”

According to a newspaper clipping (Calumet, Illinois) sent to me recently by Brandon Rowe, Emmons performed with one (or more?) bands that made regular “appearances” on KBOA during the early 1950’s.

PS: My favorite line from the article: “Nothing really exciting happened in Kennett that I can remember.”

AUDIO: “Side A and B Combo” by Henry Buddy Roy Jr..