“And I said, I don’t care if they lay me off either, because I told, I told Bill that if they move my desk one more time, then, then I’m, I’m quitting, I’m going to quit. And, and I told Don too, because they’ve moved my desk four times already this year, and I used to be over by the window, and I could see the squirrels, and they were merry, but then, they switched from the Swingline to the Boston stapler, but I kept my Swingline stapler because it didn’t bind up as much, and I kept the staples for the Swingline stapler and it’s not okay because if they take my stapler then I’ll set the building on fire.”

— Milton from Office Space.

“Tarantino’s love of movies is infectious. But what he loves about them isn’t their literary capabilities, the way they can show us people and events changing each other, and the rest of that important yada. No, QT loves their syntax, their rhetoric. And that’s what Kill Bill is great at: a samurai sword being re-holstered, a nod that launches an attack. It’s like a “That’s Entertainment” that shows not the greatest tap dance sequences in the history of movies but the greatest gestures.”