Category Archives: Film & TV

Mad Max: Fury Road

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madmax

I don’t believe I’ve ever paid two see a movie twice in one week but I plan to see this one again in a few days. It was like trying to drink from a fire hose. There was SO much happening onscreen that my eyes/brain just couldn’t process it all. Wonderful little bits of detail. Like the hand mirror used to replace the broken outside mirror of the war wagon that was — for my money — the star of the movie. Check that: all of the vehicles… and the stunt men/women are the stars of this movie.

If you’re looking for a complex story with great dialogue and subtle performances, look elsewhere. I don’t think there were 100 lines spoken in this movie. No, this is a chase movie. From the first frames to the last. Two hours of nitrous-enhanced adrenaline. I thought the 2nd Mad Max movie was pretty exciting but it was Dukes of Hazzard compared to this one.

Ex Machina

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ex-machina-movieGolly. I don’t know where to begin. I really enjoyed the film Ex Machina but that tells you next to nothing. Certainly the best treatment of AI I’ve seen on screen. There were a few moments reminiscent of Blade Runner. When Rachael realized her childhood memories were implanted; when Roy went to see his creator, Dr. Tyrell. But I found this a fresh and thought-provoking story.

If you’re that guy that kept pointing out why the flux capacitor was just a made up thing and couldn’t be used for time travel, yeah, you’ll probably find lots of _flaws_ in the tech of this movie. And now you know why it took you sooo long to get laid. Given half a chance, I’m quite willing to suspend my disbelief and did so for this movie.

What does it mean to be almost but not quite human? When we have the technology, will we be able to scrape enough ‘goodness’ to create beings better than ourselves?

When I’m really absorbed in a story I sometimes forget to breath for a few seconds. I was a little light headed by the end of Ex Machina.

A Walk Among the Tombstones

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I’m a big fan of the Matthew Scudder novels of Lawrence Block. So I cringed a bit when I saw someone had made a movie based on the character. With Liam Neeson no less. In all fairness, I thought the first Taken movie was a pretty good flick and I didn’t see the sequals. I just didn’t see him as Matthew Scudder. But damned if I didn’t enjoy every minute of this movie.

The name Scott Frank (director) didn’t ring a bell but he wrote Minority Report; The Wolverine; Marley & Me; Out of Sight; Get Shorty. The last two being among my favorites. Turns out the guy can direct, too.

Blackhat

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Went to see Blackhat today. What can I tell you, I’m a sucker for any movie dealing with computers and the Internet. And Michael Mann has directed some of my favorite movies. While sitting through this longish (2 hours+) movie kept reminding myself to suspend my disbelief. Like from the observation deck of that tall-ass building in Dubai. Or better yet, put your disbelief on a bus bound for Boise.

I think the Jason Bourne/Matt Damon movies ruined this genre for me. Few films measure up. And the villain in Blackhat? Meh. And it’s not like Michael Mann can give us a good villain. Tom Noonan as Francis Dollarhyde and Brian Cox as Dr. Hannibal Lecktor in Manhunter; Wes Studi’s Magua in The Last of the Mohicans; even Tom Cruise’s tool-cool-for-school hit man in Collateral. I fear that Mr. Mann’s mojo is on the same bus to Boise.

A typical work day for Stephen Colbert

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The interview below might just be the best interview I’ve heard. (Listen to the Real Stephen Colbert Explain How He Maintained his Flawless Character for Nine Years) Plotz asked really good questions and they were short (I hate long, windy questions).

It was like meeting Stephen Colbert for the first time. I hardly recognized the voice or the person speaking. He takes us through his working day and it was fascinating. And grueling. Difficult to imagine doing this 160 times a year (1400 total).

I’m gonna miss the character but it feels like the right time to stop. Maybe as it was for Seinfeld. I’ll record Late Night (as I did The Colbert Report) once Colbert gets behind the desk. I’m a little nervous about it. Like discovering your wife of twenty years is really a deep cover mole for a foreign government. Will I like the real Stephen Colbert as much as I liked the character I’ve come to know?

Be Right Back (Black Mirror)

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An online service that creates a virtual presence for a departed loved one, based on all the photos, videos, Facebook posts, Tweets, etc etc. I’m sure I’ve posted on that several times over the years, eagerly anticipating some digital immortality. Once again, Charlie Brooker has changed my mind with the Be Right Back episode of Black Mirror. If you’ve recently lost someone close, you might want to skip this one (or wait a bit)

Citizenfour

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citizenfour_posterWe ain’t the good guys anymore. That was my take-away from Citizenfour, Laura Poitras’ documentary on Edward Snowden. This is far and away the best documentary I’ve ever seen and it was damning. As for who’s a good guy and who isn’t, well, maybe there aren’t any good guys anymore. I’ll tell you who is not a good guy… Barack Obama. Yep, the guy I voted for, twice. Even made some donations to the first campaign. I’d say I fucked up but come on… Sarah Palin?!

As it became clear President Obama was a very different cat than Candidate Obama, I told myself he’s better than George Bush and Dick Cheney. But you know, that doesn’t make you a good guy. It just makes you not those bad guys.

Same goes for the USA. Yeah, there are some countries with really shitty governments. But that’s a pretty low bar. Turns out our shit does stink and it’s time we took a good whip.

At some point in the film I found myself thinking, “Fuck it. I hope the Republicans take the Senate. And the House. A whole bunch of Democrats have been complicit in what the NSA and the rest of the intelligence “community” have been up to and they get no more support or votes for me.

I’ll calm down but I won’t be the same. It’s that strong a film. I’ve turned off comments here but would be happy to discuss privately, one-to-one. With anyone who has seen the film.