Category Archives: Film & TV
No more car chase movies?
Everything I’ve read to date about autonomous vehicles has led me to believe this technology is inevitable. Not if, just when. But something (finally?) occurred to me a couple of days ago that has me reconsidering. This would mean the end of car chases in movies, wouldn’t it? The horror! Think of all the great car chases in the last fifty years.
“The consensus among historians and film critics is that the first modern car chase movie was 1968’s Bullitt. The revolutionary 10-minute-long chase scene in Bullitt was far longer and far faster than what had gone before, and placed cameras so that the audience felt as though they were inside the cars.” (Wikipedia)
Terminator, French Connection, The Blues Brothers, To Live and Die in L.A., The Bourne Identity, The Italian Job, Mad Max: Road Warrior (okay, we’d probably still have that), Vanishing Point, The Matrix Reloaded (will we have autonomous motorcycles?). And the list goes on and on.
You’re gonna tell me it will drone chases or something like those vertical “highways” in Minority report or The Fifth Element but, man, it won’t be the same. Is it too late to stop this train?
Who is the twirler?
The following is an excerpt from the Wikipedia entry for the film A Face in the Crowd, a 1957 film starring Andy Griffith, Patricia Neal and Walter Matthau, directed by Elia Kazan.
“Most of the film’s interiors were shot in New York at the Biograph Studios in the Bronx. The most involved location shoot was in Piggott, Arkansas (the fair and baton-twirling competition scenes). Five thousand extras were sought, to be fed and paid $1 hourly for a mid-August day’s work. Sixty baton twirlers were rounded up from NE Arkansas and SE Missouri, and musicians from six different high school bands were assembled. Remick reported spending two weeks in Piggott living with teen twirler Amanda Robinson and her family, working on her twirling and local accent. Some of her baton twirling scenes used a double. At the Piggott location shoot some 380 dogs were assembled from Missouri and Arkansas for the scene following Rhodes’ first mass-action call on his audience: to take their dogs to the home of a local sheriff who was running for higher office – Rhodes opining that people should first find out if a candidate is worthy of the office of ‘dog catcher’.”
I was nine years old in 1957 and not much interested the movies. But it sounds like the location shooting in Piggott was a pretty big deal. I struggled to identify the twirler and finally concluded it was Sandra Wirth, even though she isn’t listed in the cast on iMDB. Now I’m wondering if it might be Amanda Robinson.

UPDATE January 17, 2021: Thanks to John Carpenter for some much needed research on this photo.
“That photo, taken mid-August 1956 in Piggott, is indeed “Miss Florida 1955” and actress Sandra “Sandy” Wirth. She is also noted on the AFI page for “A Face In The Crowd.”
“Hollywood Reporter news items add the following actors to the cast: Sandra Wirth, Lloyd Bergen, Jay Sidney, Eva Vaughn, John McGovern, Kitty Dolan, Sandee Preston, Gus Thorner, Beverly Boatwright, Jane Baier and Gloria Mosolino.”
“I also looked up Amanda Robinson. There’s a brief article (New York Daily News – Thursday, September 20, 1956) on her and the two other local girls who made it into the film, and were even flown to New York to film a few scenes. All of them (despite the fuzzy photo) are brunettes:”
Here for a Twirl in the Movies. Three baton-carrying, 16-year-old Southern belles arriving at LaGuardia Field yesterday are (I. to r.), Suzanne Ballard, Amanda Robinson and Bunny McCollum. The gals, all from Piggott, Ark., will be in town for two weeks during the filming of new movie. They will play the parts of drum majorettes in the picture.
Alien: Covenant (May 19, 2017)
Chris Stevens KBHR 570 AM (Northern Exposure)
Northern Exposure is an American comedy-drama television series that ran on CBS from 1990 to 1995. My favorite character was Chris Stevens (played by John Corbett). “A philosophical ex-convict who works as the disc jockey at KBHR 570 AM. Between songs, Chris offers comments on events in Cicely and on more intellectual and controversial subjects.”
The Chris character was the DJ we all wanted to be. Okay, “I” wanted to be. Fortunately, I was smart enough to know I couldn’t pull off those long, zen monologues without John Corbett’s wonderful voice and delivery, and a room full of writers. There are a few “Chris Stevens tribute videos” on YouTube that painfully illustrate the folly of those who tried.
My buddy Bob Hague (also a radio guy) told me of an acquaintance that “went bonkers” because Chris never wore headphones in the series.
My father was a Radio Operator (?) in the Navy during WWII. Based on the little he told me of that experience, it was Morse Code rather than than voice transmission. After the war he went to watchmaker school until he figured out he could get paid (GI Bill) to go to the Pathfinder School of Broadcasting (Kansas City).
I recall him saying the the “announcers” didn’t wear headphones because they were in one studio and the engineers (who did wear ‘phones, suppose) were in another. I believe this was common and the reason you’d see announcers from that era cupping a hand behind one hear (holding copy in the other) in order to better hear the golden sound of their voice.
When pop got hired at the little station in Kennett, MO, he was shocked to learned he’d have to “run his own board” and that necessitated wear phones. But I remember (as a child) seeing him or one of the other announcers being on the air without headphones.
Paying for good TV
I grew up glued to the TV and could have never imagined a time when I watched almost nothing on the boob tube. But here we are. Almost no regular viewing since starting my news fast. The one exception is the ABC sitcom, Modern Family. I find the writing so fast and flawless that I have to watch each episode twice to get all the jokes.

This week it occurred to me that we didn’t start watching until the third or fourth season so I went searching for earlier shows and wound up buying the first season (24 episodes) for $30. This might be the first time I’ve done that. (I’m not counting Netflix) $1.25 per episode and no commercials. That’s a good deal in my book. Going forward I see myself (willingly) paying for more of what I watch and listen to. And I’ll be more discriminating. I already have the sense more and more of the good stuff requires a subscription. The crap will come loaded with commercials.
Inherit the Wind
The Expanse – Season Two
Fans of the SyFy series The Expanse might enjoy recent episodes of Decrypted, Ars Technica’s TV podcast. The February 1st episode included an interview with Daniel Abraham and Ty Franck, the authors of the books (under pen name James SA Corey).
I’ve watched the first three episodes of season two and suffered only mild dissonance between my mental images of characters and locations from having read the novels. They discuss this at some length in the podcast.
And it’s really niggling things like Bobbie Draper’s combat suit. It was… bigger and played a bigger role in the books. And the damned ceilings are too high. By that I mean the living spaces just seem unnecessarily large. The spaces on the Rocinante are just larger than they need to be (like I know how to design spaceships). Same for Tycho Station. It looks like a gigantic shopping mall. This seems “off” to me. Spacers wouldn’t be so wasteful.
It’s a mistake, in my opinion, to expect the TV series to hew to the details of the books. And, yes, I recommend reading the books first but other can make a case for the other way.
Anyhoo, if you like the books and/or series, you might enjoy the podcast.
Kowloon Walled City of Hong Kong
The fortress-like Kowloon Walled City of Hong Kong was demolished in the early 1990s, but a German documentary crew braved the sprawl in 1989 and captured amazing footage from inside this sunlight-less patchwork metropolis.
Drone speeding up a snowy mountain
Competitive FPV drone racer Gabriel Kocher filmed an incredible video of his drone speeding up a snowy mountain.