A Woman from Cairo

Val Landi’s new novel, of A Woman from Cairo, sounds like a page-turner:

“A young Egyptian documentary film maker is recruited by the highest ranks of al Qaeda to create a documentary in Afghanistan about the leadership of the Holy War. The prologue of the book describes the accidental filming of the assassination of The Sheik, a fictionalized Osama bin Laden, and the film maker’s escape with the film footage to Pakistan and eventually back to temporary, fleeting safety in Cairo.”

The novel is in pre-production but there’s a website and the author has a blog.

100 Greatest Rock Songs

Radio Randy insists this list is not ‘his’ top 100 rock songs, just “the most familiar songs of our generations.” He promises to post his list later. Whatever the distinction, it’s a pretty good list. At least as good as Lucas Davneport’s list.

Randy’s daughter, Jessica, comments: I hate to say it, but you’ve got a list full of old white guys in recovery. Oh well…its only rock and roll.

State of “flow” like playing jazz

For several years now I have found myself in a semi-manic state of mind that, initially, had me concerned. Fortunately, a professional friend recognized what I have been experiencing as “flow,” and gave me a book that explains the concept:

“People enter a flow state when they are fully absorbed in activity during which they lose their sense of time and have feelings of great satisfaction. Mr. Csikszentmihalyi (author of Flow) describes flow as “being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you’re using your skills to the utmost.”

Robert Tanenbaum’s ghost writer

I’ve walked out on more than a few movies but I almost never fail to finish a novel. I try to get through even the dullest of books. But I just can’t finish Robert Tanenbaum’s latest Butch Karp novel, Fury. I loved this series and was puzzled and disappointed as I slogged through the first hundred pages of the latest in the series. I couldn’t believe the words were written by Robert Tanenbaum. Then I came across a mini-review (of a previous Karp novel that I somehow missed) on Amazon:

“Unlike the previous books in Tanenbaum’s oeuvre, this one lacks the skill and verve of Michael Gruber (Tropic of Night), the uncredited writer largely responsible for making the series come alive on the page. Whoever took over needs to learn the difference between telling and showing before he or she tackles the next in Tanenbaum’s series.”

Pardon me? What the fuck is an “uncredited writer?” Just how much of Tanenbaum’s novels were written by Mr. Gruber? This probably happens in the publishing world all the time and I’m too far out the sticks to know about it, but it sucks. I’ve read my last Butch Karp novel and will let you know how I enjoy Mr. Gruber’s work.

In the meantime, I’m cleansing myself with John D. MacDonald’s Nightmare In Pink.

Best Songs of the Rock Era

I was hoping someone had posted this and it makes perfect sense to find it on John Sandford’s “official website.” If you know who John Sandford is, you know who Lucas Davenport is: main character in a very popular series of novels. In Broken Prey, Lucas’ wife has given him an iPod and a certificate for 100 songs from iTunes. Woven throughout the novel are scenes in which Lucas tries to decide whether a particular song should or should not make his “Best Songs of thte Rock Era” list. A fun plot element that concludes with said list at the end of the novel. The thought of trying this myself is somehow exciting and frightening at the same time.

I suggested to Radio Randy that he should invited readers to nominate songs and he post the current 100. As a “better” song comes in, it bumps something else. Eventually, you wind up with his “best” and he heads off to iTunes. I’d love to see Terry McVey’s list as well.