Category Archives: Photography & Ephemera

Microphones

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Nothing is more emblematic of the Golden Age of Radio than the microphones of that era. I asked ChatGPT to identify a few that were used at KBOA.

RCA 77-M (early) or RCA 77-A / 77-B variant. This is an earlier RCA 77, before the D / DX refinements. These were extremely common in regional stations transitioning from prewar gear.

Shure 55A or 55B (pre-“Elvis” Unidyne). This is the earlier Shure 55, before the iconic chrome “Elvis” look (the 55S). Radio stations used these constantly in the late ’40s–early ’50s. Key tells:

  • End-address (announcer speaking into the top)
  • Horizontal grille rings
  • Small-diameter cylindrical body
  • Cable exiting low, angled

RCA 44-BX ribbon microphone. The 44-BX was the mic for Groups, Music, Dramatic readings, Anything needing that huge ribbon warmth

Birthday Party (1956)

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The mother of my friend John was a dedicated scrapbooker. I believe this photo actually appeared in the local newspaper (it was that kind of small town). It was taken at John’s birthday party, probably 1957.

Top row, R-L: Chris Jones, Otis Mitchell, Joe Browning, Jim Blankenship, unknown, David Covey, Steve Watson
Bottom row, R-L: Jim Robison, John Robison, Steve Mays, Terry Hunter, unknown, Jane Robison

More birthday photos here and here.

Robison Family Photos

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My friend John’s brother Jim passed away earlier this year and left a number of flash drives with family photos that Jim had scanned (ScanCafe) from family photos lovingly maintained by their mother, Betty Jane. There are 851 photos in this first album (with several more to come)

The screenshot below is an example of this treasure trove. I made John listen to my spiel on get-them-in-the-cloud-and-let-the-Universe-take-it-from-there. I find these fascinating as-is, with no information about the photos.

Prison photo a “liminal space”

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In 2013 I posted this photo to my Flickr account. About a year ago someone commented:  “This image is now famous on the internet for being known as a liminal space and a ‘level of the backrooms’ called “Electrical Substation” theres even video games or maps based off this image.”

I didn’t notice the comment at the time but when I came across it today I became curious about the “liminal space” reference and went to ChatGPT for some background. Continue reading →

Zap Car

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(Wikipedia) “ZAP was an American company that specialized in electric vehicles of various types, such as cars, motorcycles, bicycles, scooters, watercraft, hovercraft, ATVs and commercial vehicles. Its name was an acronym for Zero Air Pollution. It was based in Santa Rosa, California, but it is no longer active.”

I spotted this beauty on the floor of MacWorld in 2008.

Dancing and Singing at the Towne Grill

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When I arrived at the Towne Grill at 1:30 p.m. they were cleaning up in preparation for closing at two o’clock. But the made me a grilled cheese sandwich (Best in Town) and since I was the only customer, they kept on closing up while somebody’s phone (?) was streaming music at volume.

Paul Simon’s You Can Call Me Al came up and I heard someone back by the grill singing along. Then the two servers who were sweeping up started singing along, putting a little boogie into the brooms. Next I heard the guy in the back washing dishes. And John (the owner) was right there with them.

It was like something from a Spike Lee musical (did he do musicals?). Everybody having a great time. I thought about grabbing some video but didn’t want to break the spell. You just had to be there. And I was.

Turns out there’s a pretty good story behind the official video.

The video became quite famous and features a comedic performance by Paul Simon and Chevy Chase. Here are some key details about the music video:

Initially, Paul Simon didn’t like the original music video for the song, which was simply a performance he gave during the monologue when he hosted Saturday Night Live[2]. A replacement video was then created, which became the widely known and popular version.

The replacement video was directed by Gary Weis and was partly conceived by Saturday Night Live creator Lorne Michaels[. This video features:

– Chevy Chase lip-syncing to Paul Simon’s vocals
– Paul Simon lip-syncing to the backing vocals
– Simon miming various instruments as they appear in the song

The video plays on the significant height difference between the 6’4″ (193 cm) Chevy Chase and the 5’3″ (160 cm) Paul Simon, creating a comical visual juxtaposition[2].

The music video for “You Can Call Me Al” became one of Paul Simon’s most recognizable and popular videos. It helped boost the song’s popularity, contributing to its commercial success. The song, initially released in July 1986, experienced a resurgence in sales and airplay after the album Graceland won Album of the Year at the 29th Annual Grammy Awards in February 1987[2].