“Tarantino’s love of movies is infectious. But what he loves about them isn’t their literary capabilities, the way they can show us people and events changing each other, and the rest of that important yada. No, QT loves their syntax, their rhetoric. And that’s what Kill Bill is great at: a samurai sword being re-holstered, a nod that launches an attack. It’s like a “That’s Entertainment” that shows not the greatest tap dance sequences in the history of movies but the greatest gestures.”
Monthly Archives: October 2003
How things are (Mr. Smith Goes to Washington)
Mr. Smith Goes to Washington (1939).
We tune in by show brand, not station brand
From Tod Maffin’s upcoming editorial in Strategy Magazine about the future of television advertising, broadcasters, and the cable companies:
“…we’re at the end of the generation where people lock onto a station and keep with it for an evening. Today, our loyalty is to specific shows, not network or station brands. Nobody stays home to watch Fox TV; we watch Trading Spaces, then flip to This Hour Has 22 Minutes, then flip again. Digital television’s on-screen TV Guides and PVRs just reinforce the behaviour. We tune in by show brand, not station brand. ” [via Lockergnome]
Why Rush’s TV show flopped
Mark Whicker, writing for The Orange County Register, calls talk shows “a crack in the mirror of America. The reason that mudslinging works on the radio is simple: On the radio, Limbaugh is speaking to the dittoheads, the disciples who swallow everything. On TV, Limbaugh has to address the population as a whole.” [MercuryNews.com]