Wikitribune

I’m a big fan of Wikipedia. Whenever Jimmy Wales puts up one of those “we need your support” banners, I pitch in. Tomorrow (?) he’s launching a new project called Wikitribune.

“…a new online publication which will aim to fight fake news by pairing professional journalists with an army of volunteer community contributors. Wikitribune plans to pay for the reporters by raising money from a crowdfunding campaign. Wales intends to cover general issues, such as US and UK politics, through to specialist science and technology.”

Is that ‘through to specialist science and technology’ a typo?

“Those who donate will become supporters, who in turn will have a say in which subjects and story threads the site focuses on. And Wales intends that the community of readers will fact-check and subedit published articles. Like Wikipedia, Wales’s new project will be free to access. The publication is launching on Tuesday 25 April with a crowdfunding campaign pre-selling monthly “support packages” to fund the initial journalists.”

I’m not clear on how this effort will combat ‘fake news’ but don’t much care. People who shriek ‘fake news’ whenever they hear a story they don’t agree with have lost all credibility with me. I’ll be down for a monthly ‘support package.’

The story says journalists will “share full transcripts, video and audio of interviews.” Is there any news organization that routinely does this? If not, I wonder why.

UPDATE (9:20 a.m.) April 25, 2017 — I chose the $120 annually support option. If they don’t reach their goal (enough to hire 10 journalists) in 30 days, I get my money back. As of this writing they had 1,827 supporters, enough to hire one reporter.

Miss Martha Turner

In 2009 Joe Bankhead retired — at the age of 92 — from a 60 year career in and around radio. One of the first things he did was bang out a 20 page history of his time at KBOA in Kennett, Missouri. It’s a long read. A twenty-page core dump of Joe’s recollections. He apologizes a couple of times for his rambling, haphazard style but Joe wrote exactly the way he talked. (Lots of exclamation marks!)

I don’t think Joe really expected anyone to read 20 pages of memories (nor do I) but there’s some good stuff, especially for anyone interested in the early days of radio. So I’m going to share some of those stories here from time to time.

“I’ve got to tell you about Miss Martha Turner. Martha was a clean cut black lady from Hayti who purchased a 15-minute segment to be aired each Saturday morning. On her program she would sing an a cappella song and read all the cards and letters she would receive during the week. She’d arrive at the station three or four hours before her airtime and type out her dialogue (word for word) that she’d recite while on the air I kept a copy of Martha’s script on hand for years and I’m sorry I can’t provide it for you now. That it was unique and entertaining is a huge understatement. Miss Martha Turner deserves her spot in the history of KBOA. I don’t recall her ever trying to sell anything, or ask for donations from listeners. It appears she just wanted to be on the air and accommodate her fans by reading their letters.”

Joe died in 2011 and took with him a lifetime of great memories. I’m still amazed at his ability to recall so much detail at the age of 92. Joe’s son, Jim Bankhead, was kind enough to let me include Joe’s history on KBOA383.com (as a PDF). I transcribed the original and added a few links. It’s also searchable.

News is bad for you

“News is bad for you – and giving up reading it will make you happier.” That’s the main idea in an essay by Rolf Dobelli (The Art of Thinking Clearly: Better Thinking, Better Decisions). I’ve had that feeling (in my gut) for a while now and stopped watching TV and cable news a fews months ago. Stopped listening to radio news as well. Gave up Twitter. All I can tell you is, I feel better.

Mr. Dobelli makes some interesting points. A few of my favorites:

News is easy to digest. The media feeds us small bites of trivial matter, tidbits that don’t really concern our lives and don’t require thinking.

Unlike reading books and long magazine articles (which require thinking), we can swallow limitless quantities of news flashes, which are bright-coloured candies for the mind.

Out of the approximately 10,000 news stories you have read in the last 12 months, name one that – because you consumed it – allowed you to make a better decision about a serious matter affecting your life, your career or your business.

The relevant versus the new is the fundamental battle of the current age.

The more “news factoids” you digest, the less of the big picture you will understand.

Thinking requires concentration. Concentration requires uninterrupted time. News pieces are specifically engineered to interrupt you. They are like viruses that steal attention for their own purposes. News makes us shallow thinkers.

Not sure what to make of the fact I found this on The Guardian website. A news organization.

Jimmy Haggett at WSM

I have a fondness for old photos. Especially photos from the early days of radio. My friend Charles Isbell sent me some good ones this week. They were found in an old house being torn down in Caruth, Missouri. They feature Jimmy Haggett, a musician and DJ who worked northeast Arkansas and southeast Missouri in the 50s. He and my father worked at KBOA at one point. You can find a bio at the link above.

As for the other people in the photos, two of the young men are The Wilburn Brothers (Teddy and Doyle). Looks like the photos were taken at WSM in Nashville, so perhaps some of the others are performers. If you recognize anybody, please leave a comment.

Acoustic tile, mic, other electronic gear… I’m guessing the photo above is a WSM studio.

Jimmy with Teddy and Doyle in the photos above/below. Would like to know who the other gentleman is. Will work on it.

How was your day, Ian?

In chapter 8 of The Inevitable, Kevin Kelly talks about Remixing. “Unbundling existing products into their most primitive parts and then recombining in all possible ways.” He spends a good bit of time talking about video and the amazing new ways we will find to create and use it.

I will have my AI (we’ll all have one, or more than one) pull all of the available video of Ian Emmerson. He lives in the UK somewhere. Don’t know where. Or what he does for a living. But there’s a bazillion cameras in the UK so there will be no shortage of video.

My AI will edit each day’s video into a montage (of sorts). Ian waiting for one of those big red double-decker buses; Ian trudging into the building where he works; Ian in his cubicle; Ian getting fish and chips from a curb-side truck; Ian (alone) in the pub, having a pint before going back to his ‘flat.’ Pretty much the same stuff every day with an interesting character tossed in from time to time. Or, perhaps, just a character.

Each ‘episode’ will end with one of Ian’s songs, like the one below. I’ll let the AI pick the tune, based on that day’s ‘footage.’ I’ll probably let the AI pick a name for the series but I kind of like, “How was your day, Ian?”

Wire Service

I recall visiting the radio station where my father worked and standing in front of the Associated Press teletype, entranced by the endless stream of words. Who was typing? Where were they? Did they ever stop?

Years later, as a young man, I got a job at the station and came to depend on the AP “wire.” It was our only link to real-time (I’m not sure that phrase even existed in 1972) news and information from outside our little town. The daily newspaper was tossed on the doorstep every afternoon (or you could get the Memphis paper a day late). The three national TV networks gave us a half-hour of national news each evening.

Our radio station didn’t have a national news network (until 1974) so we relied on the Associated Press newswire for just about everything throughout the day. During a live “board shift” we would dash to the AP teletype (in the transmitter room) and “rip the wire” which involved tearing a long strip of printed wire copy into piles of news, weather, sports, entertainment news, etc. If the paper jammed or the ribbon broke, we missed whatever was fed. If something the AP considered urgent was fed, an alarm bell on the teletype sounded.

A radio station had to have a wire service. Without it they were limited to playing records and reading local news and school lunch menus. The AP knew this and charged accordingly. Thousands of dollars a year. Contracts were for five years. But there was no alternative.

In 1984 I left the radio station to take a job managing The Missourinet, a statewide news network originating from Jefferson City, Missouri. I worked for (parent company) Learfield Communications for the next 28 years. One of the more interesting projects I worked on was the creation of a low-cost alternative to the Associated Press. We called it Learfield Data (later, Learfield Newswire).

I worked on this (along with bunch of other people) for a dozen years from the late ’80s through 2000. At one time we had 300 subscribers. When the World Wide Web became a reality in the mid-90s it was clear the days of wire services were numbered. Road kill on the Information Highway. You can read the story of how it began and ended here.

Dan Shelley named RTDNA/F Executive Director

“The Radio Television Digital News Association and Foundation (RTDNA/F) today announced that longtime Association member, former Chairman of the Board and current Foundation Secretary/Treasurer Dan Shelley has been named Incoming Executive Director of the two organizations. Shelley begins work immediately and will assume the role of Executive Director in September.”

I met Dan in 1984 when he was news director at KTTS in Springfield, Missouri, and I was doing affiliate relations for The Missourinet (Dan’s the guy in the red tie). From Springfield Dan moved up to Milwaukee where he was news director of WTMJ for a few years before moving to New York to take over digital media for WCBS-TV. Then on to Radio One and, in 2015, iHeartMedia.

I interviewed Dan in 2005 when he was elected chairman of what was then RTNDA (Radio Television News Directors Association). They changed the name in 2009 because this digital thing just wasn’t going away. During that interview we talked about blogging, podcasting, satellite radio. For a little context, XM (satellite) Radio did it’s first broadcast in 2001; Facebook launched in 2004; podcasting became a thing that same year; YouTube started 2005; Twitter in 2006; and in January of 2007, Steve Jobs introduced the iPhone. Whew.

Media, journalism and Life As We Know It has undergone some big changes in the last dozen years. According to a 2016 Gallup Poll“Americans’ trust and confidence in the mass media ‘to report the news fully, accurately and fairly’ has dropped to its lowest level in Gallup polling history, with 32% saying they have a great deal or fair amount of trust in the media. This is down eight percentage points from last year.” 

I don’t see how he can possibly find the time but Dan says we’ll talk again. Boy, am I looking forward to that.

This post was updated on April 6, 2017 at 6:50 p.m.

No more car chase movies?

Everything I’ve read to date about autonomous vehicles has led me to believe this technology is inevitable. Not if, just when. But something (finally?) occurred to me a couple of days ago that has me reconsidering. This would mean the end of car chases in movies, wouldn’t it? The horror! Think of all the great car chases in the last fifty years.

“The consensus among historians and film critics is that the first modern car chase movie was 1968’s Bullitt. The revolutionary 10-minute-long chase scene in Bullitt was far longer and far faster than what had gone before, and placed cameras so that the audience felt as though they were inside the cars.” (Wikipedia)

Terminator, French Connection, The Blues Brothers, To Live and Die in L.A., The Bourne Identity, The Italian Job, Mad Max: Road Warrior (okay, we’d probably still have that), Vanishing Point, The Matrix Reloaded (will we have autonomous motorcycles?). And the list goes on and on.

You’re gonna tell me it will drone chases or something like those vertical “highways” in Minority report or The Fifth Element but, man, it won’t be the same. Is it too late to stop this train?