Category Archives: Journalism

The Apple of TV new

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Watched my (the) first installment of Vice Nightly News last night. And loved it. But not sure I can describe it. But I’ll try.

  • Different look and feel. Black and white graphics. And big. More web-like than TV’ish. Faster pacing.
  • No anchor. At least no “talking head” anchor. Just a normal (female) voice over the video and graphics. And the package reporters were normal people as well. Looked like real people and talked like real people. You’ll have to watch this to get what I’m trying to describe.
  • Natural writing style. I noticed this immediately. Sharp contrast (for me) to the “news speak” we get from the networks and cable news.
  • Watching debate #2 with Glenn Beck. One of the longer segments. A bit like a serious Stephen Colbert interview.
  • No ads. Thank you, HBO. Didn’t realize how a dozen adult diapers and Flomax ads trash up a news program.

The producers didn’t just take the ancient evening news format we’ve been watching for 60 years and tweak it. They started fresh. Your grandpa ain’t gonna like Vice Nightly News. But I ain’t your grandpa.

UPDATE: Music critic Bob Lefsetz says Vice News Tonight is “the real thing.”

“The hosts were a cornucopia of sexes and ethnicities. They looked like America. Where everybody is just not an old white man. […] The networks think it’s about slickness. The local stations are a joke, peopled by bimbos, both male and female, it’s a caricature of the news. […] They humanized Glenn Beck, a seeming impossibility.”

Legislature.com

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In 1996 (maybe 1997) I was involved in the first effort to stream audio of floor debate from the Missouri legislature. It was early days for streaming and the audio sounded pretty shitty. We had very limited bandwidth and the first RealAudio encoders were primitive. But it was the first time anyone could listen to live debate without being in the Capitol building (where they had audio lines to each rep’s office).

That first year I think we only streamed live but the following year we started archiving the audio as well. That, however, was nearly useless if you were trying to find a particular piece of debate in audio files that could run five or ten hours.

Not sure I can explain this but what we did was insert links to specific points in the debate (not unlike how we now create YouTube links that jump you X minutes into the video). I spent hours doing this before I dumped it on an assistant. But it allowed someone that wanted to hear debate on House Bill 123 to click a link and get pretty close. Unbelievably tedious.

We provided this service at no charge for a year or two and then started charging $500 per session. Lots of takers, mostly lobbyists and lawyers. We bumped it to $750 the next session and lost a few subscribers. It wasn’t long after that that the House and Senate Information Offices took this service over and we were out of business. It wasn’t a good “business” business but it offered a hint of what would be coming down the road in terms of streaming.

If you’ve never listened to floor debate of a state legislature, it’s hard to describe how boring this shit was. As streaming tech got better, someone would suggest they stream video and they’d take a shot at that, usually on the final day of the session. On one such attempt they had to pull the plug quickly because the cameras were showing members dozing at their desks.

Once people saw that we could actually do this, we started hearing grumblings about the audio archives. It was explained to me this way: Since the dawn of time, the House and Senate journals were the official record of what happened in the respective chambers. But those records could be amended. So if one member called another member “a lying motherfucker,” that got stricken from the official journal. But but not from our audio archives. This made lots of folks very uncomfortable and — ultimately — led to the legislature taking over. I always assumed some poor schmuck got stuck with editing those monster audio files.

UPDATE: I failed to mention the important role Phil Atkinson and Charlie Peters (and the people that worked with them) played in this (and other) digital project. I’d ask, “Wouldn’t it be cool if we could…” and in a few days (or hours!) they found a way to do it.

ANOTHER UPDATE: This was our first web page for this project. Really ugly, and really long.

Paying for news

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Yesterday I subscribed to the digital edition of the New York Times. I think this is the first time I have paid for news online. I’ll pay $3.75 per week, less than the cost of a double-espresso at The Coffee Zone.

People still listening to radio. Even for news.

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“91% of Americans ages 12 and older had listened to traditional AM/FM radio in the week before they were surveyed in 2015, according to Nielsen Media Research. […] In research asking about how people are learning about the U.S. presidential election, 44% of adults said they learned about it from radio in the past week. Radio outpaced both national (23%) and local (29%) print newspapers, although it trailed local TV news (57%) and cable TV news (54%).”

Pew Research State of the News Media 2016

Legislative Influence Detector; ClaimBuster

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“Researchers at the University of Chicago’s Data Science for Social Good programme have created the Legislative Influence Detector. This scours the text of US bills, searching for passages that have been cribbed from lobbyists or the legislatures of other states. To get the real story behind a bill, the software digs through 500,000 state bills, as well as thousands of pieces of text drafted by lobbyist groups that were saved into a database. An algorithm then calculates the top 100 documents most relevant to the bill in question before examining each one more closely, searching for passages the two have in common.”

“At the University of Texas at Arlington, computer scientist Chengkai Li is building a system to fact-check the statements of politicians in real time. The ClaimBuster, as he’s calling it, will study work done by human fact-checkers and, with the help of machine learning, start automating some of that process. Li envisions a final platform that can scan through the transcript of a speech or presidential debate, picking out the lines that we already know to be true or false so journalists can work on checking more complicated claims.”

Full story »

“We believe the future of TV is apps”

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Apple CEO Tim Cook said that during the announcement of the latest version of Apple TV back in September. I didn’t give it much thought at the time but after using apps on the TV for a few days, I’m starting to get a sense of what he was talking about. Not sure I can describe it in any useful way.

Back in the 50s we had two or three channels and everything came through one of them (in real time). Cable brought us more pipes but you had to be watching the right pipe at the right time to see what you wanted (or what the network wanted you to see). VCRs and (later) DVRs allowed us to time shift and skip commercials but its was still a channels-of-programs world.

The iPhone introduced the concept of apps. The New York Times has an app; ESPN has an app; all gods children got an app. Now the world is mobile and apps is where it’s at.

reutersTVThis is where I was going to try to describe how “apps for the TV” delivers a fundamentally different experience than the current TV model but I don’t think I’m up to the task. I know it’s a cliche but you’ll just have to play with for a bit get it. But I do have one example.

The new (4th generation) Apple TV comes with an app for Reuters TV. You can watch individual stories (Trump on SNL) or categories (World News). Or you can let the app build a “newscast” for you. Tell it how much time you have (5, 15, 30 minutes) and it does the rest.

I’ve been impressed with the few of these I’ve watched. No high profile anchors and no famous network correspondents. I’m reminded of the early days of CNN Headline News with anonymous (but competent) reports told you what was happening. The reporters I’ve watched on Reuters TV are not slick or polished but they get the job done and the story is clearly more important than the people reporting.

The production values are excellent, they’ve just done away with a lot of the shit (glitzy graphics, etc) the networks have piled on over the years. And it’s rare to see an NBC newscast without at least one “story” promoting the network (“More on the TODAY SHOW tomorrow morning…”).

Reuters TV did toss in a couple of 10 second (?) ads but they were not intrusive and they weren’t aimed at the 65+ demo.

So, if I get home in the middle of the afternoon and want a summary of news, Reuters TV can give me what I want; the length I want; when I want it. On my new big screen TV. Apps do this well. Far better than networks and cable channels.

As I get more comfortable with TV = apps I’ll take another stab at describing this. I’d be very interested in hearing from others using the latests version of Apple TV.

Revolution in civil liberties

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From interview with David Simon (Where the Baltimore Police Went Wrong):

The documented litany of police violence is now out in the open. There’s an actual theme here that’s being made evident by the digital revolution. It used to be our word against yours. It used to be said—correctly—that the patrolman on the beat on any American police force was the last perfect tyranny. Absent a herd of reliable witnesses, there were things he could do to deny you your freedom or kick your ass that were between him, you, and the street. The smartphone with its small, digital camera, is a revolution in civil liberties.

Serial

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I kept reading glowing reviews of this podcast and finally listened to the first episode. And the second. And… I was hooked. Now I’m rationing my listening. Once upon a time I would have described this as “good radio” but it no longer feels like radio to me. And it’s far superior to any podcast I’ve heard before. The people behind this podcast have close ties to This American Life.

Serial is a new podcast from the creators of This American Life, hosted by Sarah Koenig. Serial (follows) one story – a true story – over the course of a whole season. We follow the plot and characters wherever they take us and we won’t know what happens at the end of the story until we get there, not long before you get there with us.

The episodes I’ve listened to so far (five?) have been sponsored (MailChimp) but they also accept donations (I had no trouble kicking in $20) and they’ve received enough support to commit to a second season.

Each episode is anywhere from half an hour to forty-five minutes but are so well written and produced they seem much shorter.

Radio, podcasting, great story telling… whatever you call this, it’s compelling.